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Foreign-language editions of fantasy novels tend to be particularly fertile grounds for weird book covers. And man, I love Scandinavian illustration, but I have to make a sweeping generalization here and assert that their covers tend to be the loopiest. Here’s the Danish paperback cover of Meredith Ann Pierce’s Birth of the Firebringer (which is the first book in one of my favorite trilogies, so this is another case in which I can vouch for the cover being accurate in its details, yet not… shall we say, entirely representative of the book as a whole):

Meredith Ann Pierce - Birth of the Firebringer, second Danish edition

50% cute, 50% acid-trip unhinged. I don’t think I want to be friends with these unicorns - they look like they’d shake me down for my lunch money, then threaten to cut me if I told.

Yet at the same time, I kind of want a bag with them on it.

Go to:
Bad Book Covers Friday Archive
BBCF: The Saga of Recluce
BBCF: Moonsinger’s Friends
BBCF: The Alphabet Mysteries
BBCF: Diamond Star

Apologies for actually missing Friday - it’s been a long week. To make up for it, for this week’s Bad Book Cover Friday, I’m covering (har [?]) a series that Kakaner has been begging me to do pretty much since the beginning - L. E. Modesitt, Jr.’s The Saga of Recluce.

These covers actually work the best without much commentary, so prepare for some scrolling -

L. E. Modesitt - Mage-Guard of Hamor

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Date read: 11.15.09
Read from: Clarkesworld #38
Reviewer: Emera

Jason Chapman’s “Brief Candle” is a clever, winning tale of an unpreposessing sanitation robot onboard an imperiled ship. In a sort of AI-fueled homage to Flowers for Algernon (down to the name of the protagonist), the robot finds himself taking on much more responsibility than, literally, he could have ever imagined. It’s a marvellously entertaining story, with a quick, crisp narrative that revels in the meticulously imagined details that it unfolds.

Some of the humor was a bit too cute and obvious to work for me, and by the same token, the efficacy of the ending may depend on your willingness to have your heartstrings tugged; I felt a little resistant to the overt emotional appeal, but possibly I’m just being curmudgeonly. After all, I do tend to smile whenever I think of this story - it’s hard to be a grump about something so warm and fun.

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Jason K. Chapman

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Quizzed

Stealing yet another fun quiz-meme from Maureen…!

1. Which book has been on your shelves the longest?
Various children’s books - stuff like Tommy dePaola’s books, and The Weaver’s Horse, of which there are apparently NO cover images available online. Agggh! Did anyone else read that book, though?

2. What is your current read, your last read and the book you’ll read next?

Currently, I’m supposed to be finishing Konrad Lorenz’s King Solomon’s Ring, but I don’t actually have it with me; I’ve been sneaking rereads of Angela Carter’s The Bloody Chamber instead. Last read was Robert Stone’s Bear and his Daughter. Next read… not sure. Possibly Peter Beagle’s The Innkeeper’s Song.

3. What book did everyone like and you hated?
Usually I love books that everyone else hates.

4. Which book do you keep telling yourself you’ll read, but you probably won’t?

Ummm. Moby-Dick would be one of the major ones.

5. Which book are you saving for “retirement?”

What does that even mean? All the books I know want to be read NOW. :P

6. Last page: read it first or wait till the end?
I used to occasionally read the last page halfway through the book (or read half the book out of order, really) when I couldn’t bear the suspense, but NO MORE. Partly because I no longer read as many epics… inevitably there are points at which your attention flags during those, and you just want to see if something better is coming up, so you mine for snippets of telling conversation or hints of pivotal scenes. The impulse to spoiler oneself just ends in tears and rankling sensations, though.

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Date read: 11.6.09
Read from: Clarkesworld #23
Reviewer: Emera

Theodora Goss’ “Her Mother’s Ghosts,” recommended to me an age ago by Maureen, is a brief, achingly beautiful meditation on family and heritage. The language is simple, rhythmical, and carefully chosen, and the strength and purity of the emotion that it evokes hit me particularly hard since… okay, for personal reasons that I don’t feel like talking about in detail (massive backpedaling there). Suffice it to say that this was one of those stories that I had to read twice for it to really click, but when it did - ow. hurty (but in a good and thoughtful-making way).

I love the feel of the descriptions, too - they feel like late-afternoon sunlight on a chilly day, or one of the story’s faded watercolors.

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Theodora Goss

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Not gonna lie, this one makes me smile at the same time that it makes me wince. Some things are so awesomely dated that you can’t help but love them.

Moonsinger's Friends - In Honor of Andre Norton, ed. Susan Schwartz

Technically, it’s not bad, it’s just very… very.

Go to:
Bad Book Covers Friday Archive
BBCF: The Alphabet Mysteries
BBCF: Diamond Star
BBCF: The God Engines
BBCF: The Mammoth Book of Best New Horror 16

Date read: 2.17.10
Read from: The defunct scifi.com
Reviewer: Emera

I originally found “Descending” through Ellen Datlow’s wonderful online selection of classic sci-fi short fiction, and was aggrieved to discover that with the passing of the original scifi.com, it’s now only available with the help of the Wayback Machine. But to get on with the real thing -

I’ve always been vaguely leery of escalators (where are those steps really going, when they sink into one another at the bottom? - I had a childhood fear that my feet would get sucked in with them if I didn’t step off quickly enough); Thomas M. Disch’s “Descending” has ensured that I’ll never trust one again. “Descent” begins with an unrepentant debtor’s delinquent spree in a department store, and ends in a state of perfect horror. It’s pleasingly precise and surprisingly rich in its details both of setting and character, packing a huge amount of atmosphere and subtlety into just about 4000 words, and the humor is wicked and ominous. Great stuff - I’ll have to look up more of Disch’s work.

John Schoffstall provides a wonderful reading and historical contextualization of the story here - also brief and rich - and Matthew Cheney at The Mumpsimus follows up with a quick consideration of how the story works as a piece of short fiction here.

On a side note, I’ve been running into increasing trouble picking tags for posts, given how frequently the line is all but invisible between, say, dark fantasy and horror, or science fiction and fantasy. (Let’s not even get into the argument that all fiction is fantasy, because there’s nothing there to even argue about, at the most basic [or pedantic, depending on how you want to look at it] level.) Well, I’ll just keep going with the policy of “whatever seems the most helpful.” I just feel horribly reductionist labeling something as nuanced as “Descending” “horror.” Do I need to start a category for “literary horror”? “Existential horror”? “Definitely not splatterpunk”? “Stuff that could be read without derogatory comment by people who don’t make a regular habit of visiting the genre hinterlands in Barnes and Nobles“?

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Thomas M. Disch

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For this week’s Bad Book Cover Friday, we have the covers of Sue Grafton’s alphabet mystery series, a.k.a. the Kinsey Millhone novels. Kakaner referred me to these for the purposes of BBCF, and ever since then I can’t stop seeing them in used book sale piles everywhere.

Sue Grafton - C is for Corpse

Deeply mediocre, in a “we had no budget so we gave our cover designs to a 6th grader with Word Art pretensions” kind of way. Simplicity has its advantages in terms of recognizability, of course - as evidenced by my inability to not see these everywhere now - but. well. You could try to make it look a little less like you spent 5 minutes in Photoshop per cover doing these.

Also, on first look, the juxtaposition of the title and the cover blurb on the above cover made me think that “refreshing heroine” referred to the titular corpse. Did this happen to anyone else?

A couple more under the cut…

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Date read: 1.26.10
Book from: Borrowed from Kakaner
Reviewer: Emera

Joe Hill and Gabriel Rodriguez - Locke and Key Volume 1

(Locke and Key Volume 1: Welcome to Lovecraft collects Locke and Key #1-6.)

After their father is murdered by a disturbed former student, the three Locke children travel with their mother to start a new life in an unlikely haven: the Keyhouse, an ancient mansion on an island named Lovecraft, off the Massachusetts coast. Keyhouse, with its sprawling, dilapidated grounds and many doors, is where their father grew up, and where he insisted - with unaccountable prescience - that his family stay should anything ever happen to him.

Here, oldest son Tyler immerses himself in guilt over his tumultuous relationship with his father and his possible culpability in his death, while middle sister Kinsey struggles with her overwhelming fears and loss of sense of self in the wake of the violent attack. Meanwhile, 6-year-old Bode explores the house unattended, and soon discovers something of the curious properties of Keyhouse’s doors, and the keys that can be used to unlock them. Unfortunately, Bode’s explorations bring him within the reach of an unsavory force dwelling on the mansion’s grounds, with a particular interest in keys and what they can achieve.

First of all, books with ribbon bookmarks and nicely designed endpapers = win:

Joe Hill and Gabriel Rodriguez - Locke and Key Volume 1

(might be a bit hard to see, but the papers have a pattern of black keys.)

For those who might not already know, Joe Hill is Stephen King’s middle son, but has eminently succeeded in making a name for himself outside of his father’s reputation. I’ve been meaning to read his first novel (Heart-Shaped Box) and short story collection (20th Century Ghosts) for a languishing Forever, but Locke and Key Volume 1 ended up being my first foray into his work, after I grabbed it off of Kakaner’s shelf last summer. I went in with high expectations, and came out jonesing for moooore.

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For this week’s Bad Book Cover Friday, I present the cover of Catherine Asaro’s Diamond Star:

Catherine Asaro - Diamond Star

Yet again. Yes, the book is actually about rock stars in space (rather, a rock star in space). And it actually sounds like a very entertaining, cleverly conceived book, too. Unfortunately, when the cover artist was told “futuristic,” s/he seems to have settled on “the 80’s” as the nearest approximation. And so we are granted the bargain-bin equivalent of the love child of David Bowie and the vampire Lestat as our cover boy.

Let’s just hope that proximity to cosmic! star! light! won’t reduce his sperm count as much as those pants will, because then where would we be? Deprived of a new generation of starlets with mullets, that’s where.

- E

Go to:
Bad Book Covers Friday Archive
BBCF: The God Engines
BBCF: The Mammoth Book of Best New Horror 16
BBCF: The Gathering Storm

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