illustrated

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Date Read:4.27.10
Book From: Personal Collection
Reviewer: Kakaner

Summary

A newspaper runs a peculiar advertisement calling all “gifted children looking for special opportunities ” to audition for a most prestigious and mysterious institution. Many respond to the ad, most of whom are goaded by their parents, but in particular, it is four family-less children who pass. Soon, they find themselves on a mission to save the world as undercover spies on an isolated island trying to bring down an evil institution from the inside. The children must use their extraordinary talents to circumvent barriers and gain the trust of the enemy, while discovering more about their own pasts and each other.

Review

Just as the reviews claim, The Mysterious Benedict Society reads like a fusion of childhood favorites– Roald Dahl, J.K. Rowling, Lemony Snicket– with strong “Codename: Kids Next Store” vibes, yet manages to retain a voice and characterization that is wholly unique. It features an ensemble cast of orphans– protagonists whose appeal have been proven time and time again by successful series such as Harry Potter, The Boxcar Children, and A Series of Unfortunate Events–  whose resourceful and quirky members are sure to engage any reader. The tale is a rather straightforward intrigue-filled adventure with a clear inception  and purpose. I found that although it was deftly and winningly told, it lacked some of the magical twists, turns and subplots that really set apart other children’s series. On the other hand, the writing was very intelligent, such that I felt like the reading level could cater to adults and children alike. Stewart is a graduate of the Iowa Writer’s Workshop and it is obvious that the substance of his literary education supports each word. Throw in terrific twists, mindbending (literally) obstacles, Cartoon-Network-esque acronyms, a world domination conspiracy, and you have a hefty contender for a childhood favorite. The Mysterious Benedict Society is absolutely captivating and casts a wide net, ensnaring the bold and shy, nerdy and adventurous.

I am not-so-tentatively labelling this as my new successful children’s series find- it is fresh, intelligent, exciting, and from what I hear, the second installment is even better than the first!

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Trenton Lee Stewart

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Date read: 2.18.09
Book from: Personal collection
Reviewer: Emera

Ursula Vernon - Nurk
Nurk, a timid but sensible shrew, one day receives an urgent letter addressed to his famous grandmother Surka, the warrior, pirate queen, and general adventurer. Unfortunately, no one has seen Surka for seasons, and so Nurk packs Surka’s diary and some clean socks into his trusty snailboat, and heads off in search of adventure for the first time in his life. Dragonfly royalty in distress, perilous climes, and strange beasts aplenty await him.

I’ve been a huge fan of Ursula Vernon for years now, both of her vibrant, wildly imaginative artwork – she created the cover and interior illustrations for Nurk, of course – and of her equally weird and hilarious life and writing, as seen in her blog.

Nurk is her first mainstream published book, and is par for the Vernon course, combining a practical, likable hero (à la the protagonist of her long-running webcomic Digger, in which grandmother Surka is a character) with earthy wit, tooth-shattering cuteness, quick pacing, and occasional jolts of very enjoyable, very deeply creepy imagery – unripe salmon growing on trees; silent, voracious, cow-sized caterpillars… Individually, these elements are highly entertaining and imaginative, but the plot itself is rather unmemorable, relying as it does on predictable twists and a there-and-back-again structure.

Nevertheless, it’s a very winning little book, and I wish I knew some young persons of an age to be suitably gifted with it. Well, in a couple of years some of my cousins will be thereabouts, and the meantime, it’s a quick, fun adventure for readers of any age.

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Ursula Vernon

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Date Read: 10.12.09
Book From: Personal Collection
Reviewer: Kakaner

Summary

Jimmy Jibbett is a boy who dreams of becoming a comic book artist and spends his days in the basement making his stories come to life on paper. His mother is also an artist, but his father is a humorless businessman and his two sisters are brats; overall, his family doesn’t really support his aspirations. But Jimmy finds hope through his friends, certain members of his family, and ultimately his imagination.

Review

This is a pretty charming little story, complete with full illustrations  drawn by the author in the style of a 10 year old. I was lured to buy this book when my friend pointed it out to me on a shelf and said something along the lines of, “Dude! That’s one of my favorite children’s books! It’s about this kid that draws comics!”. I mean, who doesn’t love a kid who loves and draws comics? Case and point.

I had no trouble envisioning Jimmy as this scrawny kid with a constantly runny nose who simultaneously entertained wild dreams of inventing the world’s favorite superhero and nurtured a secret desire for that superhero to come to life and be his best friend. Jimmy is pretty much the quintessential dorky pre-pubescent boy, and subsequently, loser so if you were one of those, read this book.

My one gripe is that it seemed like the entire story was covered by a slight sheen of awkwardness. Although the story is touching and relatable, the writing doesn’t achieve that level of lighthearted elegance usually found in Newbery winners and Jimmy as a character doesn’t really stay with you after you finish reading. The plot was a little bit too simple and straightforward, and the few plot devices seem like they were devised and then inserted into the story. However, I do have to say The Main in the Ceiling has one of the absolutely cutest endings ever.

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Jules Feiffer

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Date Read: 12.27.08
Book From: Personal Collection
Reviewer: Kakaner

Summary

A look at the life of Benjamin Button who was born old and died young.

Review

I have never been a fan of F. Scott Fitzgerald. And by never been a fan, I mean I really had to shove The Great Gatsby with its eight dull corners forcefully down my throat for my junior year of English. Don’t get me wrong– I’m not one to not appreciate assigned readings and classics, but there was simply nothing appealing to me about that book. So shoot me.

Being the incredibly anal purist I am, after learning about the upcoming release of The Curious Case of Benjamin Button in theaters, I headed over to my local BN to read the short story first. I wasn’t blown away by the story, but it was so quaint, indirectly emotional, and beautiful that I ended up spending $13 on the somewhat overpriced newest edition with full-color illustrations.

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isaac_marion_anna_warm_bodies_inside_postcard

By now, I’m sure you’ve seen Emera’s and my numerous reviews of Isaac Marion’s works, namely The Inside, Warm Bodies, and Anna. These works are pretty much all highly recommended, and are self-published by Marion (links provided at the bottom of this post). Marion is noted for his strange genre niche that is, for the most part, a mix of horror, weird fiction, and romanticism.

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Date Read: 6.11.08
Book From: BurningBuilding, now Personal Collection
Reviewer: Kakaner

The summer I discovered Isaac Marion’s fiction (or more correctly, Emera discovered and I piggybacked on that), I ran around my friends group trying to get everyone to read his stories. I basically spent all of a work day on BurningBuilding engrossed in his short stories, sometimes reading some more than once. Out of all these, the one I repeatedly recommended was Anna, a story I believe is impossible not to love.

Anna is the first person tale of a young ghost who wanders through earth and time, and one day, falls in love with a young boy and follows his life. The story is a mixture of emotions, atmosphere, and a small bit of dialogue that somehow come together to produce a sweeping epic effect. Its simple but beautiful prose is proof that one doesn’t need embellishments and flourishes to successfully tell a story.

The word that always comes to mind when I read Anna is “floating”. First of all, Anna… well, she floats, so I believe it is appropriate. But the word also captures the way Anna lives out her “life”, carried by a wind of time, sometimes skipping 10 years, sometimes 100. This ephemeral quality is also skillfully conveyed by Sarah Musi’s illustrations, which feature a lot of flowing lines and a bit of whimsy.

In particular, Anna contains one of my favorite scenes ever:

“One day in high-school the boy met a beautiful girl, and they kissed under the football bleachers. Anna turned away, and wished for a strong wind to blow her far from there, but the air was still. She floated into a mountain instead, moving through the rock for miles until she reached the mountain’s heart, and closed her eyes there, feeling the warm, dark crush of the mountain’s life grinding around her.”

I love the idea of withdrawing into the heart of a mountain to mourn. It is such a powerful, majestic image (or maybe I just love mountains and am obsessed with Now We Have a Map of the Piano by Mum), and I like to believe the mountain also lends Anna strength for the rest of her journey.

As of this entry, Marion still has 25 remaining copies of Anna. These are gorgeous, self-published illustrated books on very fine, sturdy paper. If this sounds interesting, you should definitely purchase a copy before Marion becomes too famous =)

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Isaac Marion
Purchase Anna
Online Sample
Anna (2008) [E]

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Date Read: 2.2.09

Book from: Personal collection

Reviewer: Emera

Anna is the wistful tale of a young ghost who falls in love with a human boy. When I first found Isaac Marion’s short fiction online, it was one of the stories that most jumped out to both Kakaner and me. In 2008, Marion self-published a 50-edition print run of Anna, with illustrations by Sarah Musi.

I love the size and feel of the book, especially the old-fashioned font and heavily textured, off-white paper cover. There’s something very individual-feeling about self-published books, and with their slight imperfections, you somehow you get more of a sense of the author, and of the effort that went into making the book. Instead of it being A Copy of a Book, it’s A Book, if that makes any sense.

Musi’s ink illustrations are delicate and charming, and although occasionally inconsistent, suit the feeling of the story perfectly: elegant, expressive, and minimalistic. Her elongated forms and fine linework occasionally reminded me of Edward Gorey’s art, but maybe I’m just crazy. The plot in its most basic details is unremarkable, but the emotional movements are so beautifully told – Marion’s work tends to be unabashedly romantic, but he embraces it, and does it more than well. I especially like the simple details of Anna’s existence as a ghost; I think my favorite part is when she sinks into a mountain, seeking the comfort of its solidity.

As of July 2009, about 25 copies of Anna are still available for sale on Marion’s site. You can also see previews of the text and art at the same link. Go forth and ogle!

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Isaac Marion
Isaac Marion’s fiction online
Warm Bodies [K]
Warm Bodies [E]

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