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Reviewer: Emera

Err, couldn’t think of a semi-clever conglomerate title for this string of short story reviewlets, but onwards!

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Jeanne Desy’s “The Princess Who Stood On Her Own Two Feet” (1981; read 4.19.10) is an obvious but not uncharming feminist fairy tale about a tall princess, her faithful (talking) Afghan hound, and a prince with questionable values.

For a bit of background, this apparently first appeared in Ms. magazine in 1981, became quite popular, and has since been frequently republished. Also, someone pointed me to it when, on behalf of a friend, I was trying to find out the title/author of a story (not this one) about a prince who thinks he’s a dog, and ends up having to be wooed by a princess who also thinks she’s a dog. If anyone’s read that one, let me know! The source remains elusive – the friend’s not even sure if it’s a short story or a side episode within a longer novel.

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Kelly Barnhill’s “Homecoming” (2008; read 4.4.10, from Underground Voices) is a vignette about return from war, and small mercies. Not all of the prose gets to where it’s trying to go (”They tilted their faces to the ground and held their weapons weak, as though they were a great weight that they alone must bear”), but I like the earthy little details of the moment of hedgewitchery on which the story turns.

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Jeanne Desy
Kelly Barnhill
Tales of madness and depravity

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Date read: 2.8.09
Read from: Borrowed from Kakaner
Reviewer: Emera

Young, unworldly, and hopelessly shy, our nameless narrator finds herself swept off of her feet by the widowed and much older Maxim DeWinter while working as the companion of a wealthy American woman on the French Riviera. Maxim takes her away to his estate in England, Manderley, where the soon-disenheartened narrator learns that her lot is to live in the shadow of Rebecca, Maxim’s first wife. Rebecca was glamorous, flamboyant, the consummate wife and hostess; Mrs. Danvers, the housekeeper, is fiercely devoted to her memory, and regards Maxim’s second wife as an interloper and a poor replacement. Between Mrs. Danvers’ cruel manipulations and Maxim’s moody secrecy – which the narrator fears is a sign that he still loves Rebecca – the narrator finds herself without allies in Manderley, and is driven both to uncover the truth of of what happened to Rebecca, and to come into her own as a woman.

Hmm, awkward summary. Anyway, I read this following Isaac Marion’s The Inside, and together they ended up being a one-two punch of delicious, delicious suspense. I couldn’t read Rebecca in anything less than 100-page chunks – addictive to the max, it is.

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