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Date read: 6.13.10
Book from: Library
Reviewer: Emera

Ah, with the beginning of every summer comes the shutting-off of my brain for approximately 24 hours, as I devour the newest installment of my beloved narcotic of choice, Jim Butcher’s Dresden Files series. Changes, as the twelfth book and approximate halfway point of the series (…I am simultaneously disturbed and awed to realize that I have, in fact, read all twelve), is, well, a game-changer. Butcher, who’s already infamous for his gleeful sadism towards his characters, ups the stakes tenfold in this book, and packs it with even more explosions, evil twists, and shocking revelations than usual.

On the first page of the book and in one stupendously awful phone call, Harry Dresden, Chicago’s only professional wizard, finds out from ex-girlfriend Susan Rodriguez that not only do they have a daughter whom he was never told about, but that she’s been captured by the vampires of the Red Court. Behind the kidnapping is Duchess Arianna Ortega, who’s out for revenge for Harry’s role in the death of her husband. With the wizards’ White Council both unwilling and unable to help him, Harry has few allies at his side and little time to accomplish a seemingly impossible rescue. Harry finds himself forced to weigh his love for his daughter against his principles, and may have to go further than ever before in sacrificing his beliefs for the sake of power.

Multitudinous OMGWUT moments aside, I actually didn’t enjoy Changes as much as most of the preceding books. Butcher is so heavy-handed in writing emotional distress that I was irritated pretty much as soon as I heard the novel’s premise and realized that Harry’s emotional state for most of the book would be Righteous Fury of Wrath and Righteousness. I love Harry as a protagonist, and generally find the improbable extent to which he holds to his principles endearing and actually pretty admirable, but reading Harry in continual high dudgeon for close to 500 pages just gets excruciatingly repetitive, even with my brain mostly turned off.

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Date read: 5.5.10
Book from: Borrowed from Kakaner
Reviewer: Emera

On an Earth whose surface has been scorched into uninhabitability by the expanding sun, a lone, gun-toting traveler arrives at what may be humanity’s last outpost. At the bottom of the former Marianas Trench, a group of scientists have established a settlement complete with gardens and a space shuttle equipped for escape from the burned-out planet. The new arrival, who simply calls himself the Pilgrim, is at first welcomed as a much-needed defender against the various mutated beings that prowl the trench, but his fanaticism-fueled taste for destruction may bring unwanted consequences.

This mini-series (a sequel to the 2001 Just a Pilgrim, which I realized only belatedly) got a big meh from me. While the concepts and imagery are gratifyingly ambitious, the overall direction of the plot is way too obvious if you know anything at all about Garth Ennis and his pet topics, i.e. have read Preacher. As much as I love Preacher, Ennis’ expression of his anti-Christianity is so extreme and lacking in nuance that I had no interest in swallowing it twice. Just a Pilgrim was pretty hilarious to read shortly after seeing the recent film The Book of Eli, though, which is diametrically opposed in its message and about as lacking in depth – I think if you put a copy of Pilgrim and a recording of Eli in the same room, they’d explode each other.

Artwise, I did like Ezquerra’s monumental vistas and Paul Mounts’ mucky textures and bruised, sweltering color palette of intense purples and oranges, although occasionally the color choices did end up being hard on the eyes.

For the record, I also tried to read the original series but couldn’t maintain interest, for about the same set of reasons that I had a hard time getting through Garden of Eden, but also because the art had a much cruder look to it, despite the artistic team being the same.

Conclusion: if you’re looking for Western grit, post-apocalyptic atmosphere, and fairly mindless violence involving mutant jellyfish and hammerhead sharks, you may like this. Just don’t expect depth or anything approaching meaningful commentary on… anything, really.

Go to:
Garth Ennis
The Boys, by Garth Ennis and Darick Robertson (2006-200*) E

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Date Read:4.27.10
Book From: Personal Collection
Reviewer: Kakaner

Summary

A newspaper runs a peculiar advertisement calling all “gifted children looking for special opportunities ” to audition for a most prestigious and mysterious institution. Many respond to the ad, most of whom are goaded by their parents, but in particular, it is four family-less children who pass. Soon, they find themselves on a mission to save the world as undercover spies on an isolated island trying to bring down an evil institution from the inside. The children must use their extraordinary talents to circumvent barriers and gain the trust of the enemy, while discovering more about their own pasts and each other.

Review

Just as the reviews claim, The Mysterious Benedict Society reads like a fusion of childhood favorites– Roald Dahl, J.K. Rowling, Lemony Snicket– with strong “Codename: Kids Next Store” vibes, yet manages to retain a voice and characterization that is wholly unique. It features an ensemble cast of orphans– protagonists whose appeal have been proven time and time again by successful series such as Harry Potter, The Boxcar Children, and A Series of Unfortunate Events–  whose resourceful and quirky members are sure to engage any reader. The tale is a rather straightforward intrigue-filled adventure with a clear inception  and purpose. I found that although it was deftly and winningly told, it lacked some of the magical twists, turns and subplots that really set apart other children’s series. On the other hand, the writing was very intelligent, such that I felt like the reading level could cater to adults and children alike. Stewart is a graduate of the Iowa Writer’s Workshop and it is obvious that the substance of his literary education supports each word. Throw in terrific twists, mindbending (literally) obstacles, Cartoon-Network-esque acronyms, a world domination conspiracy, and you have a hefty contender for a childhood favorite. The Mysterious Benedict Society is absolutely captivating and casts a wide net, ensnaring the bold and shy, nerdy and adventurous.

I am not-so-tentatively labelling this as my new successful children’s series find- it is fresh, intelligent, exciting, and from what I hear, the second installment is even better than the first!

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Trenton Lee Stewart

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Date read: 5/31/08
Read from: Public library
Reviewer: Emera

B.P.R.D.: Hollow Earth and Other Stories collects side stories of the Bureau for Paranormal Research and Defense, from the Hellboy universe, though all (deliberately) absent the eponymous hero.

  • “Hollow Earth” (written by Mike Mignola, Christopher Golden, and Tom Sniegoski; art by Ryan Sook and Curtis Arnold): The fish-man Abe Sapien, Roger the homunculus, and a disembodied medium named Johann Krauss venture into the center of the earth, searching for their missing teammate.
  • “The Killer in my Skull” (written by Mike Mignola, art by Matt Smith and Ryan Sook): The B.P.R.D.’s Depression-era counterpart, Lobster Johnson, encounters a mad scientist.
  • “Abe Sapien versus Science” (written and inked by Mike Mignola, drawn by Matt Smith): A disquieting glimpse into the origins of both Abe and Roger.
  • “Drums of the Dead” (written by Brian McDonald, art by Derek Thompson): Abe and a young psychic investigate paranormal incidents – possession, inexplicable shark swarms, ghostly drumming – manifesting on an Atlantic shipping route.

I read the first Hellboy collection quite a while ago, and wasn’t impressed, but reading this actually motivated me to go back to the series. Though the stories aren’t remarkably original, I’m a sucker for the art (most of the art in these stories closely emulates Mignola’s own, though whether that’s good or bad is debatable) and characters – particularly the erudite, gently tragic Abe. I love the art’s distinctively shadowy, bold look, and Dave Stewart’s dim colors give the series an appropriately eerie, pulp feel – the panels look as though they’ve had all the light sucked out of them, except for cigarette sparks and lantern glows and the occasional dose of phosphorescence or hellfire. This was especially effective for the haunted-ship story – I always love a good sea-ghost tale.

Bottom line: predictable stories, but the art and affecting characters win out for me.

Go to:
Mike Mignola

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Date read: 11/16/09
Book from: Personal collection
Reviewer: Emera

(Nightcrawler: The Winding Way collects Astonishing X-Men: Nightcrawler #7-12.)

After being seriously wounded in an inexplicable attack, Nightcrawler struggles to escape the nightmarish memories of his past: his youth in Germany behind the scenes of a circus, his unwilling murder of his brother, and his eventual enslavement in an American circus. Once recovered from his injuries, Nightcrawler retraces his history both in Germany and in America, seeking to understand the forces that seem determined to dredge up his past and threaten the boundaries of the mystical worlds.

Nightcrawler: The Winding WayHmm… well, for starters, I don’t like Darick Robertson’s art (I’ve also seen his work in The Boys). Though a few of his cover spreads for this mini-series are nicely textured and moody, with attractively desaturated colors (e.g. the cover above, which I quite like), his art within the run is hilariously inconsistent, and flat-out terrible on several pages where it’s obvious that he had to rush it. He’s also one of those people who can’t draw women without certain parts of their anatomy straining at their improbably tissue-thin, vacuum-suctioned-to-the-skin clothing. Say no more. Also, not so much a fan of Matt Milla’s coloring, either, as it’s in the digital style of which I am an anti-fan – hard, oversaturated, metallic colors. Why is Photoshop is so conducive to the fostering of so much bad taste?

Storywise, this is also not amazing. Schmaltzy dialogue and narration, predictable plotting. The only bits I enjoyed were the angsty Nightcrawler flashbacks, and that’s partly just me being a Nightcrawler fangirl – there isn’t that much genuine emotional depth to them. I’d probably only reread it for those bits, though, so at least it has some reread value.

Also… I’d love to use stronger language here, but I’m going to control myself and just say, enough with the Wolverine cameos. Really. Are there really that many people on the face of the earth who would pick up a comic title purely because it includes a certain Canadian flaunting his body hair and tossing off predictable lines involving the word “bub”? (Don’t answer that question, and yes, I’m sure I’m late on the bandwagon of people who complain about that.) In general I’m losing interest in the Marvel superhero universe, or at least the mainstream superhero titles. It’s so frustrating that their overall storylines are really compelling, but they generally end up being killed by the writing, or the art, or both. Case in point: I love that the Nightcrawler series concept is to have him investigate the mystical and paranormal events that the X-Men generally don’t handle, but the end product is hardly worth reading.

…That was a lot of spleen.

Go to:
Roberto Aguirre-Sacasa

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Date Read: 1.30.09
Book From: Personal Collection
Reviewer: Kakaner

This humorous, 2003 Eisner Award winning one-shot is the story of an unlikely superhero, Screwn-on Head, who researches an occult myth at the behest of Abraham Lincoln. Apparently, an evil zombie named Emperor Zombie has stolen important ancient tomes that could lead to the destruction of the earth. The cast of this comic also includes Mr. Groin, Screw-on Head’s manservant, and Patience, Screw-on Head’s old vampire lover.

the-amazing-screw-on-head-opening-sequence

I actually first watched the TV pilot adapted from this comic written and developed by Mike Mignola (best known for Hellboy) and Bryan Fuller (Dead Like Me, Wonderfalls, Pushing Daisies). After holding out for about a month to find a copy of The Amazing Screw-on Head, I gave up and attained a much more accessible copy of the TV pilot. Later, I finally found a copy on eBay (cursed OOP’s).

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Date Read: 12.28.08
Book From: BNN Piracy now Personal Collection
Reviewer: Kakaner

After Emera posted her Shadow Puppets review, I was inspired to dig this up, so here it is.

Summary

After the Bugger Wars, Ender is caught in social crossfire and a political tug-of-war on Earth; as a result, he ultimately decides to embark on a deep space colonization journey with his sister Valentine. Through the eyes of other colonials, Ender’s Battle School acquaintances and mentors, and Ender himself, we learn of Ender’s journey to becoming Speaker for the Dead. Along the way he encounters many of his old Battle School jeesh and finds himself once again involved in and responsible for their actions.

Review

This will be a rather spotty review– at the time I read Ender in Exile, I simply wrote down different aspects or parts that really jumped out at me or about which I had something to say. And since that is what I have to work with, that is what you’ll get.

I picked this up (like I suspect most others did) after having been away from the Ender universe for years. So many things were disconcerting yet familiar… such as the ever-present discrepancy between the age and maturity of characters. For example, whenever Card reminded us that Ender was 12, I would do a huge double-take. Same with Valentine. And Virlomi. And basically all other world/nation leaders. When I read Ender’s Game as a child, I thought the concept was brilliant, and really admired Ender and his jeesh for being so ahead of their time and age. However, the more I read into the Ender universe the more I wonder if it’s possibly Card’s inability, disregard, or lack of willingness to embrace the YA characters and genre.

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Date Read: 6.12.09

Book From: Borrowed from Kakaner

Reviewer: Emera

The Adventures of Dr. McNinja is an ongoing webcomic about a doctor who is also a ninja; duh. Chris Hastings writes and draws, and Kent Archer inks. They used to be roommates, and you can kind of tell.

In the second volume of the Doctor’s adventures, Dutch action star and sworn ninja nemesis Frans Rayner has captured the Doctor’s loyal teen sidekick, Gordito, and will stop at nothing to destroy the Doctor and claim Gordito’s magnificent and authoritative mustache as his own. Meanwhile, a mysterious drug has hit the streets, endowing common hoodlums with ninja powers. Can Dr. McNinja D.A.R.E. to resist ninja drugs and violence? Will he be able to protect Ben Franklin’s clone from harm in a high-speed motorcycle chase? Will his gorilla assistant Betty ever be able to eat her hot dogs in peace?

It’s a tricky affair to read this on a train, or anywhere else public. First there’s the business of trying to hide the pages of neckbeards and ninja showdowns from seatmates and the people across the row from you; then you have to try not to keep hooting maniacally and out loud. Granted, you do have to have a pretty random and absurd sense of humor to enjoy Dr. McNinja, which relies on non sequiturs, preposterous plot twists, occasional nerd references, and a universe of characters who take themselves way too seriously – if you couldn’t tell from the summary.

Luckily, I am well-endowed in the random-sense-of-humor department, and get a huge kick out of every volume, although I also tend to feel slightly stupider afterwards. (By contrast, my brother read a few panels and preemptively declared, “This sounded awesome, but it’s stupid.” His loss.) The fact that Chris Hastings’ art tends to be kind of shaky – it reminds me of the illustrations that you’d see in a high school newspaper – actually adds to the comic’s humor. Disproportionate facial features, rather lumpen anatomy, and physically implausible poses just seem right.

I would recommend Dr. McNinja as being great for de-stressing. My own roommate and I read the first volume during some of our darkest academic hours this past school year, and still get way too much of a kick out of shouting, “FROZEN SHAMROCKS KEEP HITTING MY FACE.”

Dr. McNinja can be read for free online, or purchased in printed volumes – which replicate the original comics’ alt texts – via Raptor Bandit Industries.

Go to:
Chris Hastings

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Date Read: 6.13.09

Book From: Borrowed from Kakaner

Reviewer: Emera

The DC collection Harley and Ivy (writing by Paul Dini & Judd Winick, art by Bruce Timms, Joe Chiodo, Shane Glines) collects three fairly mindlessly entertaining Batman story arcs starring villainesses Harley Quinn and Poison Ivy, all based on episodes from Batman the animated series, though kicked up with darker touches and sexual innuendo. In “The Bet,” Harley makes a bet that Ivy can’t win a kiss from every man in Arkham Asylum, only to have the bet backfire on her when her main man, the Joker, joins the list of kiss-ees. In “Love on the Lam” (which was so unmemorable that I couldn’t even remember it without a little boost from Amazon), Harley once again attempts to get back into the Joker’s good graces by pulling off a heist of her own, enlisting Ivy’s help to do so. In “Harley and Ivy,” the gals pack off to South America in order to recover a specimen of a rare zombie root central to Ivy’s newest plan for world domination. From there, they make their way to Hollywood, where they begin filming a big-budget, diamond-studded movie glorifying their own escapades. Catfights, shower scenes, and gay lumberjack encounters ensue.

Overall, very silly and rife with absolutely shameless fanservice. The stories themselves are hardly memorable and simply retread Harley and Ivy’s well-established character dynamics (i.e. bubbly and annoying vs. sultry and sarcastic), but the fluid, expressive art, either by Timms himself or styled after his work on the series, and madcap humor make for a fun, quick read. If you’re a Harley/Ivy fan (as both Kakaner and I are), this is worth a look, so long as you’re not expecting masterful storytelling or anything. This is one of those books that makes you laugh so hard your brain hurts, with you feeling slightly the worse for it afterwards.

Go to:

Paul Dini
Bruce Timms

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FreakAngels is an ongoing sci-fi/steampunk comic by Warren Ellis, syndicated online for free in weekly, six-page installments. It was begun in February of 2008, and I’ve been following it since then (I think I first saw it publicized on Coilhouse, my favorite blog). It follows the adventures of a group of young psychics who’ve dubbed themselves the FreakAngels, and hold down a corner in a Thames-inundated London.

It’s variously a futuristic survival story and a character-based drama, with a cast of somewhat cliché (one of the characters is basically a clone of Delirium from Neil Gaiman’s Sandman; unsurprisingly, she seems to be the fan favorite) but strongly-drawn protagonists. The cool, clean art, by Paul Duffield and a team of colorists, tends to be a little shaky anatomically speaking, but the characters are attractively drawn and the backgrounds are very satisfyingly detailed, especially when it comes to architecture. If some of the FreakAngels’ outfits (and hair colors) are somewhat improbable given their living circumstances… can’t have steampunk without fun clothes. It’s also clear that Ellis has put a good amount of thought into his characters’ survival strategies, so it’s fun to see their efforts at scavenging and rebuilding society via a mix of past and present technology – steampower and solar panels have both come into play.

One of my favorite things about FreakAngels might actually be the method of delivery – I love getting my little FreakAngels story kick every Friday. Print collections are also being issued as the comic goes on.

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Warren Ellis

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