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Reviewer: Emera
Date read: 10.17.11
Book from: Borrowed from Kakaner

Legends of the Mouse Guard features thirteen Mouse Guard tales by a broad spectrum of guest artists and authors. Cute, fun, mostly not really worth reading except for a few outstanding cases of either extremely beautiful art, great visual storytelling, or occasionally both. Highlights for me:

  • Jeremy Bastian’s “The Battle of the Hawk’s Mouse and the Fox’s Mouse:” Mindblowingly detailed faux-etchings in colors of faded heraldry.
  • Ted Naifeh’s “A Bargain in the Dark:” The storytelling could have been sharper, but Naifeh’s ink-heavy, swoopingly angular style (which I’d seen before via his collaborations with Caitlín Kiernan and Holly Black) stands out here from the more traditional illustrations in most of the rest of the collection. And they couldn’t be more perfectly suited to Darkheather’s subterranean vaults, where his story of a wary alliance between a mouse and a bat takes place .
  • Gene Ha & Lowell Francis’ “Worley and the Mink:” Possibly my all-around favorite, for the combination of good humor, rich art and excellent action sequences. A tubby, bespectacled banker-mouse outwits both a tribe of hostile mice and a voracious mink.
  • Guy Davis’ wry & wordless “The Critic,” in which a warrior takes too much inspiration from an artist’s rendering of derring-do.
  • The sweeping tundra scenes of Karl Kerschl’s “Bowen’s Tale” (also wordless), which wonderfully convey the immensity and severe beauty of the arctic from a mouse-sized perspective.

Petersen provides the framing story, of customers at an inn competing in a tale-telling contest to cancel their bar tabs, the totally epic cover of horn-blowing mice (my favorite Mouse Guard cover so far), and some equally epic spreads of other legendary mouse exploits, which appear in-universe as paintings on the inn’s walls.

Go to:
David Petersen: bio and works reviewed
Mouse Guard: Fall 1152, by David Petersen, review by Emera
Mouse Guard: Winter 1152, by David Petersen, review by Emera

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Reviewer: Emera
Date read: 11.23.11
Book from: Personal collection

Bone: Out from BonevilleBone, Volume 1: Out From Boneville

“After being run out of Boneville, the three Bone cousins – trusty Fone Bone, grasping Phoney Bone, and obliviously cheerful Smiley Bone – are separated and lost in a vast, uncharted desert. One by one, they find their way into a deep, forested valley filled with wonderful and terrifying creatures. Eventually, the cousins are reunited at a farmstead run by tough, cow-racing Gran’ma Ben and her spirited granddaughter, Thorn. But little do the Bones know, there are dark forces conspiring against them and their adventures are only just beginning…”

Late to the bandwagon as usual! I’d wanted to read the ever-popular Bone saga for years, and was lucky enough to find a slightly battered copy for half-off while comic-shopping recently. The first volume instantly brought me back to reading Asterix comics on the couch in second grade: Smith’s old-school art is fluidly expressive and filled with gentle slapstick and visual gags. (A recurring one: whenever he’s overcome by his crush on Thorn, Fone Bone’s mouth crumples up into a scribbled line, and he litters the area with trails of pink hearts.) It’s just comforting to read, sweet, funny, and expertly paced – a good old-fashioned adventure to enjoy on a sunny afternoon.

While I don’t feel too driven by the storyline yet (seems like war with the carrion-eating rat creatures lies ahead), I do love the oddness of the world: the way the seasons arrive with comically accelerated timing in the valley, talking katydid Ted and his giant cousin, the introduction of comics and paper currency (the latter with less success) to the valley inhabitants by the Bones. What exactly is the relationship between the valley and the external world, and what, really, are the Bones? I’m eager to see what comes along, especially if it involves more Gran’ma Ben thonking rat creatures.

And my favorite sequence of art: the evolution of Thorn’s facial expressions and hand gestures on this page (click for a close-up of the whole page).

Go to:
Jeff Smith: bio and works reviewed

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Date read: 10.25.11
Book from: Borrowed from a friend
Reviewer: Emera

“… or, The Enchanted Chocolate Pot: being the correspondence of two Young Ladies of Quality regarding various Magical Scandals in London and the Country.

Dear Reader,
A great deal is happening in London this Season. To begin with, there’s the wizard who tried to poison Kate at the Royal College – she must have mistaken Kate for the Mysterious Marquis (which is curious, as they look nothing alike). There’s also the man who seems to be spying on Cecelia, though he’s not doing a very good job of it – so just what are his intentions?
Then there’s the strange spell that has made our friend Dorothea the toast of the town. Could it possibly have something to do with the charm-bag under Oliver’s bed? (Speaking of Oliver, how long can we make excuses for him? Ever since he was turned into a tree, he hasn’t bothered to tell anyone where he is.)
Clearly, magic is a deadly and dangerous business. And we might be in fear for our lives . . .  if only we weren’t having so much fun!
Love, Cecy and Kate”

A mightily charming epistolary romp through magical Regency England, and a long overdue read for me. Sorcery and Cecelia is fast-paced and stuffed full of clever gambits, sardonic conversation, and plenty of historical slang and detail to please period buffs – the girls spend as much time outwitting fussy aunts and navigating delicate social constraints as they do uncovering wizardly misdeeds. Also, there are jokes about Byron.

My one disappointment is that the book doesn’t make much room for character development beyond what’s necessary to move the plot along. Between that and the lack of detailed physical description I had trouble telling the girls, and their respective love interests, apart – everyone is witty, quirky, and dark-haired. I must also confess to fantasy-nerdly hankering for more detail about the magical system and the greater role of wizards (they seem to have curiously little influence on society) – but seeing as Jonathan Strange and Mr. Norrell also exists, I can hardly complain that that itch has gone unscratched.

In any case, S & C is a great divertissement: playful and vivid, with a lovable (if homogeneous) cast. Common sense says I shouldn’t (too much work to do these days!), but I’m already scheming about finding the sequel…

Go to:
Patricia C. Wrede: bio and works reviewed
Caroline Stevermer: bio and works reviewed
The Thirteenth Child, by Patricia C. Wrede, review by Kakaner
Dealing With Dragons, by Patricia C. Wrede, review by Emera
Talking to Dragons, by Patricia C. Wrede, review by Emera

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Date read: 7.18.11
Book from: Borrowed from Kakaner
Reviewer: Emera

Mouse Guard: Winter 1152

“After Midnight’s Rebellion in the Fall of 1152, the following Winter proves to be a cold and icy season. The Guard face a food shortage threatening the lives of many a mouse in the Territories. Some of the Guard’s finest – Saxon, Kenzie, Lieam, and Sadie, with the old grayfur Celanawe by their side – traverse the snow-blanketed Territories, acting as diplomats to improve relations between the mouse cities and the Guard, and seeking vital supplies for their headquarters at Lockhaven. But hungry predators, the dangers of ice and snow, and a wrong turn into the haunted depths of the abandoned weasel tunnels of Darkheather place even so intrepid a band of Guardsmice in mortal peril…”

As Kakaner assured me, Mouse Guard vol. 2 has much more emotional meat on its bones than did the first arc. Reading this volume, it’s clear that Fall 1152 was just a taster; here our sense of the Guard’s mythology and traditions is deepened, and the worldbuilding continues apace, both within the comic and in the (again) adorable and obsessively detailed appendices.

Midnight’s obligatory power-hungry rebellion is revealed to have longer-lasting implications for the politics of the Mouse Territories and the integrity of the Guard, while Sadie, Kenzie, and Saxon’s descent into the mindblowingly byzantine tunnels and vaulted caverns of Darkheather brings us closer to the darkness and horror that lie in the Guard’s recent past. On Lieam’s end of things, Celanawe drops hints about the mythology of the Black Axe – a lone, mysterious arbiter of justice – and teaches some lessons about self-reliance. All of this is clearly paving the way for Lieam’s impending ascension to full-blown badass. And then there are epic battles with a vengeful one-eyed owl, and torrents of bats in purplish gloom, and beautifully desolate lamplit snowscapes, and Kenzie/Saxon bromance (brodentmance?)…

Also, I underwent a weird little cognitive tweak reading this volume. During the first I’d felt I just couldn’t get the characters, and tenatively chalked it up to the dialogue being a bit stilted. This time around I realized that it’s also that the mice generally only have two facial expressions: peering intently, or squinting determinedly. And once I realized that, I was fine with it; it’s like I’d placated an otherwise expectant emotional processing circuit. Conclusion: Brains are weird. Have some more cute mice.

Mouse Guard: Winter 1152

Go to:
David Petersen: bio and works reviewed
Mouse Guard: Fall 1152, by David Petersen, review by Emera

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roald-dahl-quentin-blake-with-book-dessert-breakfast-food-recipe-review-honey-oatmeal-scones

View Recipe: Matilda Honey Oatmeal Scones

In case you can’t tell from the title, giant slice of honeydew, or honeycomb in the picture, this Booklish is for a humble little children’s book, Matilda by Roald Dahl (1988). Specifically, Miss Honey and Matilda are at the center of this feature today and this Booklish is an imagined meal for the two.

The heart of Matilda lies in the scene in which Miss Honey invites Matilda to her cottage for some tea and bread. For the first time, Matilda experiences the security, comfort, and love that comes from having an adult care for her and treat her as a unique and intelligent human being. It is here in the cottage that Miss Honey and Matilda’s trust and relationship begins, and it begins simply and inquisitively.

The room was as small and square and bare as a prison cell. The pale daylight that entered came from a single tiny window in the front wall, but there were no curtains. The only objects in the entire room were two upturned wooden boxes to serve as chairs and a third box between them for a table.That was all. There were no pictures on the walls, no carpet on the floor, only rough unpolished wooden planks, and there were gaps between the planks were dust and bits of grime had gathered…

…Matilda was appalled. Was this really where her neat and trimly-dressed school teacher lived?

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Diana Wynne Jones has passed away at the age of 76. I had had no idea that she was ill. Apparently, at least as late as last summer she was still working on two books, which makes me think yet again how much I love authors as people, how much I admire their devotion to their creations and their readers.

While her books weren’t a big part of my childhood, apart from a brief love affair with The Dark Lord of Derkholm, I very much wish they had been – a later read of Howl’s Moving Castle had me cursing myself for not having read it when I was a bit younger. And regardless, I’ve always had a strong sense of her presence and influence in the worlds of fantasy and children’s literature, of her warmth and irreverence.

Good-bye, Diana.

—–

Part of what had me so shocked when Brian Jacques passed away was my longstanding impression that Redwall, as a world and as a series, could go on forever. For better or for worse, in the case of the series – to me the books began to seem unbearably repetitive somewhere around Taggerung. But regardless of the quality of the later books, and regardless of the criticisms of moral black-and-whiteness and so on, there was so much good in Redwall. And my impression always included my image of Jacques himself – the mousethief, loving, mischievous, honorable, stubbornly old-fashioned – as part of that good, that heartening sense of solidity, comradeship, and simple joy. I mean, come on, he was a bearded, twinkly-eyed former sailor. He started telling the Redwall stories to children at a school for the blind when he was working as a milkman. Repeat what I said above about loving authors as people.

Andy of Anagnorisis shares her remembrances of growing up with Redwall, and meeting Brian Jacques, in a beautiful memorial post here. And – eulalia!!!

—–

This is perhaps a morbid thought, but all of this is making me want to hunt down the addresses of my most favorite children’s authors and send them letters to tell them how much they mean to me, while I still can.

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Date read: 3.5.11
Book from: Personal collection
Reviewer: Emera

Words from the master (and by master, I mean Cimorene):

“Being upset is no excuse. If you’re going to be rude, do it for a reason and get something from it.”

I was down for the count with a stomach virus two weekends ago, which seemed an excellent excuse to loll around in bed with Talking to Dragons. I have nothing in the way of intelligent commentary, except to say that this series never stops being as clever and sharp and all-around awesome as I remembered it being. The combination in this book of Daystar being a hyperpolite semi-wuss (saved from true wussiness by his sensibleness and competence) and Shiara being as rude as possible to everyone they meet is particularly winning. Also, I didn’t at all remember that happening between Morwen and Telemain, so that ended up being a very pleasant surprise.

Cover-flap summary:

Daystar has never seen his mother, Cimorene, actually perform magic. Nor has he ever known her to enter the Enchanted Forest in all the years they have lived on its edge. That is not until a wizard shows up at their cottage shortly after Daystar’s sixteenth birthday. Much to Daystar’s surprise, Cimorene melts the unsavory fellow. And the following day, she comes out of the Enchanted Forest carrying a sword. With that and little else, she sends him off into adventure. Daystar doesn’t know why he’s tromping through the Forest fighting wizards and monsters, but others seem to know. Accompanied by a quick-tempered firewitch, Daystar stumbles upon a number of characters from his mother’s past: Morwen the witch, Telemain the magician, and Kazul the king of dragons.

Go to:
Patricia C. Wrede: bio and works reviewed
Dealing With Dragons, by Patricia C. Wrede (1990) E

Daystar has never seen his mother, Cimorene, actually perform magic. Nor has he ever known her to enter the Enchanted Forest in all the years they have lived on its edge. That is not until a wizard shows up at their cottage shortly after Daystar’s sixteenth birthday. Much to Daystar’s surprise, Cimorene melts the unsavory fellow. And the following day, she comes out of the Enchanted Forest carrying a sword. With that and little else, she sends him off into adventure.

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Date read: 12.16.10
Book from: Personal collection
Reviewer: Emera

Where the Mountain Meets the Moon is as much a joy to hold (literally – it’s the nicest size for a hardback) and look at as it is to read:

The insides are just as beautiful, with colored text and chapter headers, and more of Grace Lin’s ornate, exuberant, full-color illustrations scattered throughout, complementing her detailed, lively prose.

The story follows the adventures of Minli, a young girl who leaves her home in the shadow of the Fruitless Mountain to seek out the Old Man in the Moon, and learn from him how to change her family’s unhappy fortune. On the way, she helps and is helped by a varied cast of characters with cleverly interwoven stories to tell, including a talking goldfish with ambitions, a flightless dragon, and an orphan boy who lives with a water buffalo.

Minli is sort of generically plucky and lovable, and occasionally the story’s sweetness borders on sappiness, but it’s all so clearly coming from a place of genuine caring that I can’t really complain. Lin’s attention to the grief of Minli’s parents after her disappearance is particularly striking and moving. Among children’s books, I can’t remember reading another Hero’s Journey that also gave page time to those left behind. Watching her parents (her mother in particular) come to their own realizations about their relationships with Minli, and then witnessing the family’s eventual reunion – again, just genuinely sweet, loving, and ultimately joyful.

All in all, I felt like I was being given a hug and a bowl of hot soup in book form. (It doesn’t hurt that Lin clearly enjoys describing details of food as much as she does fantastical scenes of red-silk bridges and monkey-infested peach groves.)

As always with really good YA, I wish I knew younger persons I could gift this to. Older readers looking for more books set in mythical China would do very well indeed to look up Barry Hughart’s rumbustious, madcap adventure-fantasy-mystery-everything-awesome series, The Chronicles of Master Li and Number Ten Ox, beginning with Bridge of Birds.

Go to:
Grace Lin: bio and works reviewed

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Brian Jacques has passed away at the age of 71.

I don’t really know what to say right now.

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The New York Times interviews a bunch of notable YA/sff authors (and one academic) on what they think is driving the “dystopian trend” in current YA fiction.

It struck me as being a little bit silly that they didn’t interview any actual young adult readers, but it’s still interesting to see the varieties of cynicism and optimism represented.

- E

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