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Been behind on award etc. news, I know, but that’s just how we roll around here these days.

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Congratulations to the 2011 Nebula winners!!

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Maurice Sendak passed away on Tuesday, May 8, at the age of 83.

Kakaner has a very sweet story about the importance of Where the Wild Things Are in her childhood, but I’ll leave her to tell it if she likes. Outside Over There was my Sendak of choice, tapping as it did into my embryonic love for tales of uneasy melancholy and queer nocturnal goings-on, kickstarting my obsession with changeling stories before I knew what a changeling was, and giving me exactly the best kind of nightmares in the weeks after my kindergarten teacher first read it to us. (Only a little bit facetiously: It’s a shame that most obituaries don’t seem to mention the influence of Outside Over There on Jim Henson’s Labyrinth, which launched its own wave of weird childhood hang-ups.)

Below, some extracts from the moving New York Times obituary, from which I learned for the first time about Sendak’s melancholy childhood – and the fact that he was gay, and was with his partner, psychotherapist Eugene Glynn, for 50 years prior to Glynn’s death.

“A largely self-taught illustrator, Mr. Sendak was at his finest a shtetl Blake, portraying a luminous world, at once lovely and dreadful, suspended between wakefulness and dreaming. In so doing, he was able to convey both the propulsive abandon and the pervasive melancholy of children’s interior lives.”

“As Mr. Sendak grew up — lower class, Jewish, gay — he felt permanently shunted to the margins of things. ‘All I wanted was to be straight so my parents could be happy,’ he told The New York Times in a 2008 interview. ‘They never, never, never knew.’”

And if you have the chance, please, please, please lend your ears to Sendak’s extraordinary interview with Terry Gross on NPR last year, in which he speaks with heartbreaking honesty about children, his childhood, aging, and death. At some point while listening, I overfilled my tea mug, and when I looked back to see it dripping onto my desk, my first impulse was to assume that it was also crying. Yeah.

(I also felt for Terry Gross: you can feel her wishing that this was a true conversation, rather than an interview during which she must maintain her radio air of pleasantly neutral inquiry.)

See also this brief and wonderful comic on children and books drawn by Sendak and Art Spiegelman (via Neil Gaiman and Caitlin Kiernan’s memorial posts).

Maurice Sendak, R.I.P.

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Jean Craighead George passed away on Tuesday, May 15, at the age of 92. The only rival to the number of fantasy books and fairy tales I consumed when I was little was the number of nature and wildlife books; I was particularly passionate about Julie of the Wolves and re-read it and its sequels heaps of times. (I remember getting caught re-reading Julie… under my desk during fifth grade once – which was I think the same year that I first read My Side of the Mountain, from which I notably learned about Walden and Thoreau, whose name I was convinced had to be pronounced “Thor-yew”…) George’s works and characters embody meticulous observation and a luminous sense of wonder, speaking to a lifetime of loving study of the natural world and its inhabitants (humans included). Thanks, Ms. George, from this now-biologist, for sharing your passion with us. R.I.P.

- E

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“The Golden Key,” by George MacDonald, illus. by Maurice Sendak (1867): review by Emera

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Date read: 6.11.11
Read from: Subterranean Press Magazine
Reviewer: Emera

Assorted thoughts on K. J. Bishop’s “The Heart of a Mouse,” which recently won the Aurealis Award for Best SF Short Story. All the other reviews I’ve linked below offer good summaries of the story, if you’d like more situational context.

First thought: This isn’t (just) post-apocalyptic, it’s a dystopia. The government just happens to be invisible, unless maybe one considers an amoral universe – strange, brutal, incomprehensible from the individual perspective – to be a “governing body”… (Please note that I’m not in the least politically savvy and can’t comment with that kind of rigor.) But there’s an inflexible class system/food web:

“Deros and trogs and dogs live in towns, cats roam. Dogs and cats hunt everything except angels and bactyls. Volk hunt big game, raid towns and hold rallies. Pigs eat anything dead except angels, and bactyls eat anything dead and anything alive that doesn’t move fast enough to get away. Dreams hunt everything, eat anything. Angels don’t eat, but they kill, which comes to the same thing for you and me. And that’s all. It isn’t so much to keep in your head.”

and the economy likewise boasts all the flexibility and diversity of the shop system in a low-budget first-person shooter (more on this later). (Also, irony alert re: the role of the “dreams” in the food web.) The system – “mom and pop” shops, pig farms that provide wages and canned pork – keeps running stably enough to keep alive the inhabitants who don’t get themselves eaten by something else, and we’re given no reason to believe it won’t keep working that way. The end of the story sees one of the last few wrinkles in the system being ironed out, in a brief, carefully affectless paragraph of description that I found one of the most moving in the story. Against the backdrop of mouse-dad’s macho sentimentality, it’s the mostly uncommentated incidents that stand out, cleanly foregrounding the story’s surreal horror/beauty. The last image in the story is unforgettable, especially since I’m always a sucker for the kind of monstrousness embodied in Bishop’s many-faced, many-eyed angels and dreams. What is it about nephilim, seraphim, the angels in Neon Genesis Evangelion, that is so uniquely sublime and unnerving?

Second thought: This is what life would be like in a video game, but one without even the comfort of an objective, let alone a glowing textbox at the end to tell you you can progress to the next stage. Just enough rules exist to make it clear how terrifyingly arbitrary it is that any rules exist at all – who’s setting and enforcing them? Weapons and supplies and what amount to NPCs “punch in” at apparently predetermined intervals, and again there’s that disturbingly cartoonish food web, that reads like a game manual’s bestiary section…

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2010 Shirley Jackson award nominees are out – which I’m selfishly extra-excited to see this year because Kakaner and I have scheduled a week this summer to go gallivanting off to Readercon, where the awards are presented. Awwww yeah. (This will be my first-ever con, for the record.)

Dribs and drabs of thought -

  • More title synchronicity (“A / Dark Matter”) – as with “Palimpsest” for the 2010 Hugo noms.
  • Joey Comeau!! Did not expect to see him there. (He’s better known as the word-provider for A Softer World, though Kakaner and I have been sorta following his standalone prose since he started with Lockpick Pornography back around… 2005?)
  • Clearly I really need to pick up Haunted Legends, though I’ve kind of spiralled out of my horror anthology phase.
  • I also need to look into Karen Joy Fowler at some point. See her name everywhere, know nothing about her work.

- E

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Shirley Jackson

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Neil Gaiman will be writing the script for an English-language film adaptation of Journey to the West. This sounds like it should be very fun, indeed. There might also be some Guillermo del Toro in the mix, hurrah.

At first when I read the news I also thought that this might be the project that Gaiman’s been alluding to during his extended travels in China these past couple years, but I suspect that there’s still something else (or maybe several somethings else) to come out of that.

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The Gneil has also revealed that a film adaptation of American Gods is underway, helmed by a director with “many, many Oscars.” I must admit that the idea of an American Gods movie seems to me only slightly less disastrous than a Sandman movie, but I’ll keep mum till more details are out.

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The winner of the 2010 Tiptree Award, for sff that explores and challenges ideas of gender, has been announced! I also recognize lots of titles on the short- and longlists as books that I Really Should Be Reading…

- E

Go to:

Neil Gaiman

http://www.digitalspy.com/movies/news/a311009/neil-gaiman-confirms-american-gods-film.html

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Click to see the list

And I have read… exactly none of the things on the list, sigh, though there are familiar names and familiar “I want to read this! when I have time! in my next life!” titles a-plenty.

Kakaner and I have both been mostly swamped with work these days, if it’s not evident from our spotty activity. Hope all is well out there.

- E

[inserts self] I will go give my self a well-deserved stab in the eye for not having read any of these either… how dare I call me a SFF fan!

-K

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View Recipe: Gone With the Wind Tara Cake

I envisioned nothing less than a grand, massive tiered cake for Margaret Mitchell‘s sweeping 1936 romantic epic, Gone With the Wind.  This famous and controversial novel has all the good bits– war, betrayal, unrequited love, mis-timed requited love– and a spoiled southern belle forced to experience the worst of humanity who then seizes her life back though hard work, womanly charms, and sheer force of will. This recipe is meant to capture the full range of history, time and emotion in the novel, as well as convey an atmosphere of grandness throughout.

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Date Read: 08.28.10
Book From: Personal Collection
Reviewer: Kakaner

Summary

A massive 50 km-long metal cylinder (later named Rama) is hurtling towards earth at an awesome speed. The discovery stirs the world into motion, culminating in the launch of a select few for an exploration mission. The chosen members immediately leave Earth to begin their assignment, finding their way into the cylinder with relative ease and explore the object, trying to understand it’s function and characteristics…

Review

…and as far as the summary is concerned, that’s about it! It’s Clarke, and although I’m no expert– having only read Childhood’s End before– I get the sense that he dives into telling a story by making a beeline for a particular concept or vision but really doesn’t take the time to look elsewhere. There was a solid, but rather pat, exposition (granted it was the 22nd century, but is it *really* that easy to pull together a space exploration team with so little international bickering??) followed by the introduction of a few uninteresting members of the team, and then it was onward with the science! This was pretty hard sci-fi, especially for 1972– if you’re looking for intergalactic cross-species love affairs and all the politics of a space epic, this is not the book for you. It read like a very self-indulgent exploration of a fantasy world/sci-fi concept that Clarke was just dying to bring to life.

So yes, the novel’s sole focus was the exploration, description, and documentation of Rama. And Rama was beautiful. I’d first compare my reading experience to that of watching 2001: A Space Odyssey– serene, epic, silent, intensely futuristic, a sense of overwhelming vastness, and very reminiscent of Journey to the Center of the Earth with respect to the concept of an enclosed yet self-sufficient world. What strikes you as you wander through Rama is the almost sinister quiet of the place, and how it instills within you this fear that each new discovery is going to be the unveiling of some awesome Truth, or at least some mighty power that would set you at ease with simply knowing. Every part of the world was full of implication (Why were there houses with no doors, and objects frozen inside? Why were there fearsomely fast and lethal robots that roamed like animals? Why was there a synthetically generated electric thunderstorm? Why was there a world in this cylinder in the first place?) and scientific content that I was so mentally tired every couple of pages… I literally had to stop and take breaks to gather my thoughts and to work on visualizing a new part of Rama. The foreignness of it all was terribly uncomfortable yet incredibly exciting.

I could go into more detail about Rama, such as giving dimensions, painting a map, or describing each location, but Rendezvous with Rama was more of a powerful visionary experience for me (and that’s what Wikipedia is for!) This book was an immediate winner of both the Hugo and Nebula awards upon it’s publication, and rightly so.

Go To:

Arthur C. Clarke: bio and works reviewed

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Sometime soon I hope to find enough brain to post something other than news, but in the meantime:

2010 Hugo Award winners announced!

I’m excited to see a Bacigalupi/Miéville tie for best novel, and possibly even more excited to see that Clarkesworld won for best semi-prozine. Also, Moon for best dramatic presentation, long form, over Avatar. (If you’ve ever wanted to hear Kevin Spacey voice a robot that expresses itself using emoticons, go see Moon. Strictly speaking, it’s crummy sci-fi, but as a character study it’s terribly moving. Also, Kevin Spacey.)

- E

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2009 World Fantasy Award nominees announced
Nebulous destiny (2010 Nebula winners)
2010 Hugo nominations

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Here they are!

As usual, I’ve read a depressingly minute fraction of the list, but it does include a good chunk of Black Letters favorites – notably, Caitlín Kiernan‘s The Red Tree (my review here), one of our favorite reads of 2009.

Congratulations to all the nominees!

- E

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And the 2010 Nebula winners have been announced!

I think I never got around to posting about the nominations here, but there was, of course, a lot of overlap with the 2010 Hugo nominees, and the winners included some familiar faces. Kij Johnson’s “Spar” won for Best Short Story, and Catherynne Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making won the Andre Norton Award for best young adult novel, which marks the first time that a self-published novel has won a major literary award.

Woo hoo!

Also, I really really want to read Paolo Bacigalupi’s The Windup Girl

- E

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