ghosts

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Date Read: 9.26.09
Book From: Personal Collection
Reviewer: Kakaner

Summary

The story follows Doctor Faraday, a lonely bachelor who calls upon the residents of the once glorious Hundreds Hall and begins to form a friendship with the remaining family and staff that reside there. His friendship to the family becomes a crux on which they rely, and soon he finds himself involved in ever stranger circumstances at Hundreds Hall.  The interactions of the story are characterized by mysterious fires, writings, and sounds with the underlying ever-increasing tension of Faraday’s relationship to the mother and daughter of the house.

Review

It took me a really long time to review this because I couldn’t form a concrete opinion. Basically, there was good and bad, but the good was oh so good and the bad was characterized by raging mediocrity. Every time the scales tipped in favor of one side, I’d remember something to the contrary and the dilemma would reassert itself.

The Good: Superb writing and storytelling. Of course, it is apparent from Waters‘ four previous novels that she knows how to write, and once again she demonstrates her ability to spin a tale out of not an incredible amount of material. I was reading along the first 100 pages, and I was still, somewhat inexplicably, waiting eagerly to find out what would transpire during Faraday’s fourth visit to the same dreary hall. There’s no rampant drama or lgbt overtones that characterize her previous novels, which I found quite refreshing, as if I were here for the sole purpose of enjoying raw word manipulation.

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Date Read: 6.11.08
Book From: BurningBuilding, now Personal Collection
Reviewer: Kakaner

The summer I discovered Isaac Marion’s fiction (or more correctly, Emera discovered and I piggybacked on that), I ran around my friends group trying to get everyone to read his stories. I basically spent all of a work day on BurningBuilding engrossed in his short stories, sometimes reading some more than once. Out of all these, the one I repeatedly recommended was Anna, a story I believe is impossible not to love.

Anna is the first person tale of a young ghost who wanders through earth and time, and one day, falls in love with a young boy and follows his life. The story is a mixture of emotions, atmosphere, and a small bit of dialogue that somehow come together to produce a sweeping epic effect. Its simple but beautiful prose is proof that one doesn’t need embellishments and flourishes to successfully tell a story.

The word that always comes to mind when I read Anna is “floating”. First of all, Anna… well, she floats, so I believe it is appropriate. But the word also captures the way Anna lives out her “life”, carried by a wind of time, sometimes skipping 10 years, sometimes 100. This ephemeral quality is also skillfully conveyed by Sarah Musi’s illustrations, which feature a lot of flowing lines and a bit of whimsy.

In particular, Anna contains one of my favorite scenes ever:

“One day in high-school the boy met a beautiful girl, and they kissed under the football bleachers. Anna turned away, and wished for a strong wind to blow her far from there, but the air was still. She floated into a mountain instead, moving through the rock for miles until she reached the mountain’s heart, and closed her eyes there, feeling the warm, dark crush of the mountain’s life grinding around her.”

I love the idea of withdrawing into the heart of a mountain to mourn. It is such a powerful, majestic image (or maybe I just love mountains and am obsessed with Now We Have a Map of the Piano by Mum), and I like to believe the mountain also lends Anna strength for the rest of her journey.

As of this entry, Marion still has 25 remaining copies of Anna. These are gorgeous, self-published illustrated books on very fine, sturdy paper. If this sounds interesting, you should definitely purchase a copy before Marion becomes too famous =)

Go To:

Isaac Marion
Purchase Anna
Online Sample
Anna (2008) [E]

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Date read: 8.10.09
Read in: Coyote Wild
Reviewer: Emera

Yoon Ha Lee’s flash fiction (I did a word count out of curiosity – 223) “Behind the Mirror” is lovely, sad, and unsettling, and has one of the most memorable single lines I’ve read, that could be a poem all by itself. The story has an appropriately vanishing feel to it, a sort of silvery evanescence. I found one paragraph a little overwritten, which is troublesome in such a short piece, but it doesn’t really hurt the story as a whole.

“Behind the Mirror” appears in the first issue of online speculative fic/poetry quarterly Coyote Wild. Take a minute out of your day to enjoy Lee’s story. (That’s why I love short fiction – you can pop one in here and there so easily.)

Go to:
Yoon Ha Lee

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Date read: 11.8.08

Book from: Personal Collection

Reviewer: Kakaner

Summary

Nobody Owens (Bod) lives in a graveyard, has ghosts for friends and family, and a mysterious neither-living-nor-dead guardian. As he grows up, he has to learn both the ways and secrets of the large graveyard as well as deal with the outside world. This foreign world is extremely dangerous place for Bod because the assassin of his family is still on the prowl. Throughout the journey of his childhood Bod basically learns about growing up– girls, beings which are neither living nor, and slowly, how to function in the outside world.

Review

Way to go Neil Gaiman! All those months of meticulously following the progress of The Graveyard Book on his blog certainly paid off– the day it was released, I headed over to my local bookstore, plucked one brand spanking new copy off the display, and settled into an armchair to read for the next couple hours. I read it all in one sitting, and in about a week, after procuring enough monetary funds, I immediately bought the book.

I have to say The Graveyard Book was spot on in so many respects– character development, pacing, storytelling… to name a few. Sure Bod lives in a graveyard, but his childhood frustrations and adventures  are so relatable. He has his own quarrels with his guardians, fighting against the constraints of the graveyard much like children do their own homes. The imagery is simply splendid, especially Bod’s adventures beneath the graveyard and all the different fantastical creatures. And, who doesn’t like ghosts, vampires, and other such creatures? I definitely felt transported into another world through that imaginary magic portal every child wants to travel through. Above all, I was definitely caught up in the snowball effect of the novel– you’re reading and the suspense and developments keep piling on until suddenly, you realize you haven’t been breathing for several pages. That is the feeling I’d been longing to experience again, that same thrill of reading Patricia Wrede or Brian Jacques or J.K. Rowling as a child with breathy light-headedness.

The Graveyard Book has replaced Coraline as my favorite Gaiman YA fiction. It is fantastical, yet down to earth at the same time, and strikes a wonderful balance between barreling trains of action and meandering scenes chock full of character development. Quite honestly, one of my recurring gripes with Gaiman’s works is they typically feel a bit cold, despite being terrifically written and crafted. I usually enjoy every minute of a Gaiman novel or comic, but come away feeling a bit dissatisfied, as if it didn’t successfully speak to me on a deeper level. The Graveyard Book, however, was warm and honest, and definitely a great read for any child or even adult.

Go to:

Neil Gaiman

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Date Read: 2.2.09

Book from: Personal collection

Reviewer: Emera

Anna is the wistful tale of a young ghost who falls in love with a human boy. When I first found Isaac Marion’s short fiction online, it was one of the stories that most jumped out to both Kakaner and me. In 2008, Marion self-published a 50-edition print run of Anna, with illustrations by Sarah Musi.

I love the size and feel of the book, especially the old-fashioned font and heavily textured, off-white paper cover. There’s something very individual-feeling about self-published books, and with their slight imperfections, you somehow you get more of a sense of the author, and of the effort that went into making the book. Instead of it being A Copy of a Book, it’s A Book, if that makes any sense.

Musi’s ink illustrations are delicate and charming, and although occasionally inconsistent, suit the feeling of the story perfectly: elegant, expressive, and minimalistic. Her elongated forms and fine linework occasionally reminded me of Edward Gorey’s art, but maybe I’m just crazy. The plot in its most basic details is unremarkable, but the emotional movements are so beautifully told – Marion’s work tends to be unabashedly romantic, but he embraces it, and does it more than well. I especially like the simple details of Anna’s existence as a ghost; I think my favorite part is when she sinks into a mountain, seeking the comfort of its solidity.

As of July 2009, about 25 copies of Anna are still available for sale on Marion’s site. You can also see previews of the text and art at the same link. Go forth and ogle!

Go to:

Isaac Marion
Isaac Marion’s fiction online
Warm Bodies [K]
Warm Bodies [E]

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