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Date read: 11.6.09
Read from: Clarkesworld #23
Reviewer: Emera

Theodora Goss’ “Her Mother’s Ghosts,” recommended to me an age ago by Maureen, is a brief, achingly beautiful meditation on family and heritage. The language is simple, rhythmical, and carefully chosen, and the strength and purity of the emotion that it evokes hit me particularly hard since… okay, for personal reasons that I don’t feel like talking about in detail (massive backpedaling there). Suffice it to say that this was one of those stories that I had to read twice for it to really click, but when it did - ow. hurty (but in a good and thoughtful-making way).

I love the feel of the descriptions, too - they feel like late-afternoon sunlight on a chilly day, or one of the story’s faded watercolors.

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Theodora Goss

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Date read: 1.26.10
Book from: Borrowed from Kakaner
Reviewer: Emera

Joe Hill and Gabriel Rodriguez - Locke and Key Volume 1

(Locke and Key Volume 1: Welcome to Lovecraft collects Locke and Key #1-6.)

After their father is murdered by a disturbed former student, the three Locke children travel with their mother to start a new life in an unlikely haven: the Keyhouse, an ancient mansion on an island named Lovecraft, off the Massachusetts coast. Keyhouse, with its sprawling, dilapidated grounds and many doors, is where their father grew up, and where he insisted - with unaccountable prescience - that his family stay should anything ever happen to him.

Here, oldest son Tyler immerses himself in guilt over his tumultuous relationship with his father and his possible culpability in his death, while middle sister Kinsey struggles with her overwhelming fears and loss of sense of self in the wake of the violent attack. Meanwhile, 6-year-old Bode explores the house unattended, and soon discovers something of the curious properties of Keyhouse’s doors, and the keys that can be used to unlock them. Unfortunately, Bode’s explorations bring him within the reach of an unsavory force dwelling on the mansion’s grounds, with a particular interest in keys and what they can achieve.

First of all, books with ribbon bookmarks and nicely designed endpapers = win:

Joe Hill and Gabriel Rodriguez - Locke and Key Volume 1

(might be a bit hard to see, but the papers have a pattern of black keys.)

For those who might not already know, Joe Hill is Stephen King’s middle son, but has eminently succeeded in making a name for himself outside of his father’s reputation. I’ve been meaning to read his first novel (Heart-Shaped Box) and short story collection (20th Century Ghosts) for a languishing Forever, but Locke and Key Volume 1 ended up being my first foray into his work, after I grabbed it off of Kakaner’s shelf last summer. I went in with high expectations, and came out jonesing for moooore.

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Date read: 3.22.06
Book from: Borrowed from Kakaner
Reviewer: Emera

book-kindl-woman

Rendered nearly invisible by her painful shyness, Anna is the middle girl of three sisters living with their mother in a rambling Victorian home. At seven years old, terrified by the impending threat of school, she retreats into passageways and secret rooms of her own construction, and lives within the walls of her home for the next seven and a half years. Anna is content to hide away as a sort of household ghost, nearly forgotten by even her family, until her own growth as a woman renders her “invisibility” no longer possible. A stray love note pushed through the walls of her refuge appeals to her developing emotions, and the time approaches for Anna to once more venture into the outside world.

I randomly spotted The Woman in the Wall on Kakaner’s bookshelf at some point around when we first began exchanging reading material on a regular basis, and the premise deeply appealed to me since I’m a. sorta shy and b. obsessed with secret nooks and passageways, to the point that a home-within-a-home sounds right up my alley. Even outside of my particular quirks, the concept is an emotionally powerful and imaginatively appealing one.

Unfortunately, Kindl’s writing isn’t up to the task. Although the book aims for a wistful, playful mix of Gothic fairy tale and magical realism, it increasingly dissolves into a weepy, unconvincing pastiche, with the narration lurching between “artsy,” “quirky” whimsy and banal adolescent histrionics. Too much pretension (or, more charitably, ambition), not enough substance. Though Anna’s story could have been a moving modern fairy tale about escapism and self-isolation, The Woman in the Wall more often seems clumsy, superficial, and implausible.

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Patrice Kindl

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Date read: 8?.09
Read from: Clarkesworld #20
Reviewer: Emera

I had previously mentioned “A Buyer’s Guide to Maps of Antarctica” as being one of my favorite short stories read in 2009, yet had never gotten around to posting a review.

I don’t want to spoil a single bit of it, so I’ll just say that it’s like Jonathan Strange and Mr. Norrell except with Antarctican cartography (yes, duh - seriously, I refuse to reveal any of it, please just go read it if you’ve got the chance), and that it’s funny, delightfully imagined, and ravishingly beautiful. I rather wish it had won the 2009 World Fantasy Award that it was nominated for, but clearly that’s not up to me. So instead I’ll just flail about it here.

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Catherynne M. Valente
“Urchins, While Swimming,” by Catherynne M. Valente (2006) [E]

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Date read: 1.7.09
Read from: The Journal of Mythic Arts
Reviewer: Emera

More fairy tales, finally! I’m backed up on reviews to the point of - well, I’m always backed up on reviews, but I’m feeling particularly guilty about not getting to reviews of all the nifty short stories, fairy-tale-inspired and otherwise, that I’ve been reading this winter.

Shweta Narayan’s “Half Flight” is an odd little retelling of one of my absolute favorite fairy tales, also featuring a brief cameo by a visitor from one of my absolute favorite folk tales. (Glancing at her website bio, we share an interest in liminal characters - “shapeshifters and halfbreeds,” as she puts it - so there you go.)  I hate to describe something as “odd” because it seems like a cop-out, but “Half Flight” is, somehow and pleasingly, a little off-kilter. I think it might in fact come from that little folkloric intrusion, although again, intrusion is the wrong word. The meeting of the two strands of story feels organic and intuitive, and enrichens both of the characters in question, as well as the particular psychological narrative that Narayan pursues. When I reached that bit, I almost skimmed over it, did a double-take, read it again more closely, and then thought, “of course.”

Although her imagery could use sharpening and intensifying, since the language occasionally falls flat, the tale as a whole succeeds in being thoughtful and tender without excessive sentimentality. The last line did raise my hackles a little; last-line clunkers are terribly hard to avoid when you’re going for “tender.”  Regardless, Narayan is successful in conveying an unsettling desperation and psychological fragility under the measured, dispassionate narration, and I was deeply satisfied by the new sense that her telling brings to the archetypes and narratives that it plays with.

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Shweta Narayan
“An Old-Fashioned Unicorn’s Guide to Courtship,” by Sarah Rees Brennan (2008) [E]
Winter is for fairy tales

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booklish-oz21

Introducing… Booklish! A new, biweekly feature showcasing culinary creations (with accompanying recipes) inspired by books or fictional characters. Read more about this feature here. This inaugural installment is devoted to L. Frank Baum’s 1900 classic, The Wonderful Wizard of Oz.

View Recipe: The Wonderful Wizard of Oz Lemon Brick Cake

booklish-oz4

Today, we have brick-layered lemon yellow cake with lemon frosting “mortar”, an outside layer of whipped lime icing, sprinkled poppy seeds along the sides, and shards of lime emerald hard candy pieces scattered on top.

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Date read: 2.15.09
Book from: University library
Reviewer: Emera

Glen Duncan - I, LuciferToo lazy to summarize, so, back-of-the-book summary: “The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on earth. Highly skeptical, naturally, the Old Dealmaker negotiates a trial period – a summer holiday in a human body, with all the delights of the flesh. The body, however, turns out to be that of Declan Gunn, a depressed writer interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts – to straighten the Biblical record, to celebrate his favourite achievements, to let us know just what it’s like being him.”

Daniel Craig is going to play Lucifer in a movie version of this soon, so I decided that I’d try it out, especially since a friend had mentioned liking the book about when it first came out. Unfortunately, I couldn’t make myself get through it, and decided after about 50 pages that it was a waste of time, making it a rare aborted reading attempt.

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Date read: 2.18.09
Book from: Personal collection
Reviewer: Emera

Ursula Vernon - Nurk
Nurk, a timid but sensible shrew, one day receives an urgent letter addressed to his famous grandmother Surka, the warrior, pirate queen, and general adventurer. Unfortunately, no one has seen Surka for seasons, and so Nurk packs Surka’s diary and some clean socks into his trusty snailboat, and heads off in search of adventure for the first time in his life. Dragonfly royalty in distress, perilous climes, and strange beasts aplenty await him.

I’ve been a huge fan of Ursula Vernon for years now, both of her vibrant, wildly imaginative artwork - she created the cover and interior illustrations for Nurk, of course - and of her equally weird and hilarious life and writing, as seen in her blog.

Nurk is her first mainstream published book, and is par for the Vernon course, combining a practical, likable hero (à la the protagonist of her long-running webcomic Digger, in which grandmother Surka is a character) with earthy wit, tooth-shattering cuteness, quick pacing, and occasional jolts of very enjoyable, very deeply creepy imagery - unripe salmon growing on trees; silent, voracious, cow-sized caterpillars… Individually, these elements are highly entertaining and imaginative, but the plot itself is rather unmemorable, relying as it does on predictable twists and a there-and-back-again structure.

Nevertheless, it’s a very winning little book, and I wish I knew some young persons of an age to be suitably gifted with it. Well, in a couple of years some of my cousins will be thereabouts, and the meantime, it’s a quick, fun adventure for readers of any age.

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Ursula Vernon

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Date read: 10.04.09
Read from: Infinity Plus
Reviewer: Emera

Will I ever tire of vampires? It seems unlikely, at this rate. Kim Newman’s novella “Coppola’s Dracula” was my first foray into his post-vampire-epidemic alternate history. Here he reenvisions Francis Ford Coppola’s Apocalypse Now, Dracula-style.

Protagonist Kate Reed is an Irish vampire - a contemporary of Bram Stoker, in fact - who’s been brought on the set of Coppola’s bloated, luckless production as a consultant, and bears witness to disaster after near-disaster as filming staggers onward. Interspersed with her coolly amused observations are excerpts of key scenes from the script, all paralleling Apocalypse Now (and Dracula, of course) and sharply rendered in Newman’s clipped, punchy, darkly humorous style.

I would probably have appreciated the central conceit more had I been more of a film buff, but I still found the parallels clever and entertaining, and Newman is deeply meticulous in imagining his alternate universe. However, the novella left me rather cold beyond that - though Kate is well-developed as a character, she’s so dispassionate that the story lacks emotional effect, other than conveying a lingeringly tragic kind of Cold-War disaffection. Well, that’s probably deliberate, so count that as another stylistic success for the story.

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Kim Newman

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Date read: 10.29.2009
Read from: Coyote Wild (Aug. 2008 issue)
Reviewer: Emera

Very vaguely following in our theme of fairy tales for December, “An Old-Fashioned Unicorn’s Guide…” is a dryly funny parody of fantasy romance and quest tropes, both old and new. Call it a PG-13 offering for fans of Patricia C. Wrede and Gail Carson Levine:

“Your principles disgust me,” Brianna murmured, entwined with Fernando’s manly form. “No matter how muscular your thighs, I will never be yours!”

She proved this by sealing her mouth against Fernando’s in a passionate yet distinctly defiant kiss. They toppled into some conveniently-placed ferns.

“Rowena,” Ethel [the unicorn] said in a dark voice. “Aren’t you going to do something about that?”

Rowena [the other unicorn] looked up from the ferns, which she was chewing thoughtfully. “Have fun, kids!” she called. “Stay safe!”

Unfortunately, it gets far too serious and sentimental for its own good in the end, succumbing to a whole ‘nother set of clichés, but overall it’s terribly amusing.

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Sarah Rees Brennan

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