superheroes

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Date read: 3.17.11
Book from: Library
Reviewer: Emera

book umbrella

From the back cover:

In an inexplicable worldwide event, forty-seven extraordinary children were spontaneously born by women who had previously shown no signs of pregnancy. Millionaire inventor Reginald Hargreeves adopted seven of the children; when asked why, his only explanation was, ‘To save the world.’ These seven children form The Umbrella Academy, a dysfunctional family of superheroes with bizarre powers. Their first adventure at the age of ten pits them against an erratic and deadly Eiffel Tower… Nearly a decade later, the team disbands, but when Hargreeves unexpectedly dies, these disgruntled siblings reunite just in time to save the world once again.”

The Umbrella Academy is clearly an enormous excuse for Gerard Way to make moody, tentacular love to all the tropes of the superhero comic. Father-figure issues, intra-team rivalries and romantic tensions PLUS frolicsomely deranged villains and a tortured, vengeful supervillainess PLUS nonstop, glibly surreal* storytelling = one gloriously dark, weird, and addictive series. I can’t speak to there being much real substance under the surface – other than Way’s manifest passion for superheroes and their particular brand of wounded humanity – but it’s a terribly stylish and entertaining comic, with occasional moment of real sweetness and charm.

Art highlights: Dave Stewart’s yummy colors – heavy on dark, desaturated oranges and purples. And I love the weight of Gabriel Ba’s figures, and their elastic, elongated torsos – makes for interesting stances and gestures. Also, I could stare at the cover forever. Hi, Vanya. What shapely F-holes you have.

(I know. I’m sorry.)

I devoured the first volume in one sitting, and am jonesing to get my hands on the second. Also, this may well be my favorite single line of comic-book dialogue: “And just as I suspected – ZOMBIE-ROBOT GUSTAVE EIFFEL!”

* The kids’ surrogate mother is an animate anatomical model. What’s not to love?

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Gerard Way: bio and works reviewed

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Date read: 12.23.07
Read from: Digital collection
Reviewer: Emera

book hellionsA four-issue side-series off of the most recent New X-Men storyline, featuring, obviously, the current crop of Hellions, Emma Frost’s protégés and the New X-Men’s bestest rivals within the Xavier Institute. Written by Nunzio deFilippis and Christina Weir, pencils by Clayton Henry.

At the end of the school year (and prior to the events of M-Day), Julian/Hellion brings his team members back to California with him to hang out at his family’s mansion. Unfortunately, after a typical Hellion-style scuffle at the airport, his parents cut him out of the family fortune. Spiteful and disgruntled, Julian digs deeper into his parents’ background, and ends up making a deal with the same figure who got his parents rich – the Kingmaker, who proceeds to grant the dearest wish of each of the Hellions. Sooraya/Dust is reunited with her mother at an Afghan refugee camp, Cessily/Mercury finds herself welcomed home again by suddenly loving parents, Santo/Rockslide becomes a wrestling star (dream big, boy), and so on. But after the trial period is up, The Kingmaker returns to extract payment…

This was a REALLY fun read, and  made me realize how boring by comparison pretty much the entirety of the New Mutants series was, revolving as it did around petty disputes and page after page of overwritten adolescent moping. Not that Hellions was that much deeper or more novel, but let’s face it, rebellious teams are pretty much always more fun (even if their leader is a twit), and being limited in length, the series packed a lot more interest into a lot fewer pages. The writing was tight and featured equal helpings of action and character exposition; I’ve always been fond of Cessily and Sooraya in particular, so it was fun and occasionally genuinely affecting to see a bit into their pasts and family lives.  Coloring was too shiny for my tastes, but the pencils and inks were strong and consistent. All in all, something that might actually have re-read value for me, unlike the rest of the pre-M-Day New Mutants/New X-Men: Academy X storyline. (No, I don’t know why I kept reading it, either. Of course as soon as most of the irritating characters had been dispensed with and Skottie Young started doing the art and I was getting genuinely interested in the series, it was cancelled.)

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Nunzio deFilippis: bio and works reviewed
Christina Weir: bio and works reviewed

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Date read: 11/16/09
Book from: Personal collection
Reviewer: Emera

(Nightcrawler: The Winding Way collects Astonishing X-Men: Nightcrawler #7-12.)

After being seriously wounded in an inexplicable attack, Nightcrawler struggles to escape the nightmarish memories of his past: his youth in Germany behind the scenes of a circus, his unwilling murder of his brother, and his eventual enslavement in an American circus. Once recovered from his injuries, Nightcrawler retraces his history both in Germany and in America, seeking to understand the forces that seem determined to dredge up his past and threaten the boundaries of the mystical worlds.

Nightcrawler: The Winding WayHmm… well, for starters, I don’t like Darick Robertson’s art (I’ve also seen his work in The Boys). Though a few of his cover spreads for this mini-series are nicely textured and moodily desaturated (e.g. the cover above, which I quite like), his art within the run is hilariously inconsistent, and flat-out terrible on several pages where it’s obvious that he had to rush it. He’s also one of those people who can’t draw women without certain parts of their anatomy straining at their improbably tissue-thin, vacuum-suctioned-to-the-skin clothing. Also, not so much a fan of Matt Milla’s coloring, either, as it’s in the digital style of which I am an anti-fan – hard, oversaturated, metallic colors.

Storywise, this is also not amazing. Schmaltzy dialogue and narration, predictable plotting. The only bits I enjoyed were the angsty Nightcrawler flashbacks, and that’s partly just me being a Nightcrawler fangirl – there isn’t that much genuine emotional depth to them. I’d probably only reread it for those bits, though, so at least it has some reread value.

Also… I’d love to use stronger language here, but I’m going to control myself and just say, enough with the Wolverine cameos. Really. Are there really that many people on the face of the earth who would pick up a comic title purely because it includes a certain Canadian flaunting his body hair and tossing off predictable lines involving the word “bub”? (Don’t answer that question, and yes, I’m sure I’m late on the bandwagon of people who complain about that.) In general I’m losing interest in the Marvel superhero universe, or at least the mainstream superhero titles. It’s so frustrating that their overall storylines are really compelling, but they generally end up being killed by the writing, or the art, or both. Case in point: I love that the Nightcrawler series concept is to have him investigate the mystical and paranormal events that the X-Men generally don’t handle, but the end product is hardly worth reading.

…That was a lot of spleen.

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Roberto Aguirre-Sacasa

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Date read: 8.14.09
Read from: Subterranean Press
Reviewer: Emera

John Scalzi’s “Denise Jones, Super Booker” is a superhero satire that makes me not tired of the superhero satire trend. It’s a wry sketch in the form of an interview with an agent who books superheroes for employment opportunities ranging from contracts with cities in need of protection from giant Gila monsters, to bar mitzvahs in need of entertainment. Pretty much every line is quotable, so I won’t even bother to pick pull quotes – just go and read it when you have the chance!

This was my first time reading anything by John Scalzi, but I can see now why both his blog and his writing have such a following.

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John Scalzi
Subterranean Press

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Date Read: 10.12.09
Book From: Personal Collection
Reviewer: Kakaner

Summary

Jimmy Jibbett is a boy who dreams of becoming a comic book artist and spends his days in the basement making his stories come to life on paper. His mother is also an artist, but his father is a humorless businessman and his two sisters are brats; overall, his family doesn’t really support his aspirations. But Jimmy finds hope through his friends, certain members of his family, and ultimately his imagination.

Review

This is a pretty charming little story, complete with full illustrations  drawn by the author in the style of a 10 year old. I was lured to buy this book when my friend pointed it out to me on a shelf and said something along the lines of, “Dude! That’s one of my favorite children’s books! It’s about this kid that draws comics!”. I mean, who doesn’t love a kid who loves and draws comics? Case and point.

I had no trouble envisioning Jimmy as this scrawny kid with a constantly runny nose who simultaneously entertained wild dreams of inventing the world’s favorite superhero and nurtured a secret desire for that superhero to come to life and be his best friend. Jimmy is pretty much the quintessential dorky pre-pubescent boy, and subsequently, loser so if you were one of those, read this book.

My one gripe is that it seemed like the entire story was covered by a slight sheen of awkwardness. Although the story is touching and relatable, the writing doesn’t achieve that level of lighthearted elegance usually found in Newbery winners and Jimmy as a character doesn’t really stay with you after you finish reading. The plot was a little bit too simple and straightforward, and the few plot devices seem like they were devised and then inserted into the story. However, I do have to say The Main in the Ceiling has one of the absolutely cutest endings ever.

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Jules Feiffer

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Date Read: 1.30.09
Book From: Personal Collection
Reviewer: Kakaner

This humorous, 2003 Eisner Award winning one-shot is the story of an unlikely superhero, Screwn-on Head, who researches an occult myth at the behest of Abraham Lincoln. Apparently, an evil zombie named Emperor Zombie has stolen important ancient tomes that could lead to the destruction of the earth. The cast of this comic also includes Mr. Groin, Screw-on Head’s manservant, and Patience, Screw-on Head’s old vampire lover.

the-amazing-screw-on-head-opening-sequence

I actually first watched the TV pilot adapted from this comic written and developed by Mike Mignola (best known for Hellboy) and Bryan Fuller (Dead Like Me, Wonderfalls, Pushing Daisies). After holding out for about a month to find a copy of The Amazing Screw-on Head, I gave up and attained a much more accessible copy of the TV pilot. Later, I finally found a copy on eBay (cursed OOP’s).

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Date Read: 6.12.09

Book From: Borrowed from Kakaner

Reviewer: Emera

The Adventures of Dr. McNinja is an ongoing webcomic about a doctor who is also a ninja; duh. Chris Hastings writes and draws, and Kent Archer inks. They used to be roommates, and you can kind of tell.

In the second volume of the Doctor’s adventures, Dutch action star and sworn ninja nemesis Frans Rayner has captured the Doctor’s loyal teen sidekick, Gordito, and will stop at nothing to destroy the Doctor and claim Gordito’s magnificent and authoritative mustache as his own. Meanwhile, a mysterious drug has hit the streets, endowing common hoodlums with ninja powers. Can Dr. McNinja D.A.R.E. to resist ninja drugs and violence? Will he be able to protect Ben Franklin’s clone from harm in a high-speed motorcycle chase? Will his gorilla assistant Betty ever be able to eat her hot dogs in peace?

It’s a tricky affair to read this on a train, or anywhere else public. First there’s the business of trying to hide the pages of neckbeards and ninja showdowns from seatmates and the people across the row from you; then you have to try not to keep hooting maniacally and out loud. Granted, you do have to have a pretty random and absurd sense of humor to enjoy Dr. McNinja, which relies on non sequiturs, preposterous plot twists, occasional nerd references, and a universe of characters who take themselves way too seriously – if you couldn’t tell from the summary.

Luckily, I am well-endowed in the random-sense-of-humor department, and get a huge kick out of every volume, although I also tend to feel slightly stupider afterwards. (By contrast, my brother read a few panels and preemptively declared, “This sounded awesome, but it’s stupid.” His loss.) The fact that Chris Hastings’ art tends to be kind of shaky – it reminds me of the illustrations that you’d see in a high school newspaper – actually adds to the comic’s humor. Disproportionate facial features, rather lumpen anatomy, and physically implausible poses just seem right.

I would recommend Dr. McNinja as being great for de-stressing. My own roommate and I read the first volume during some of our darkest academic hours this past school year, and still get way too much of a kick out of shouting, “FROZEN SHAMROCKS KEEP HITTING MY FACE.”

Dr. McNinja can be read for free online, or purchased in printed volumes – which replicate the original comics’ alt texts – via Raptor Bandit Industries.

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Chris Hastings

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Date Read: 6.13.09

Book From: Borrowed from Kakaner

Reviewer: Emera

The DC collection Harley and Ivy (writing by Paul Dini & Judd Winick, art by Bruce Timms, Joe Chiodo, Shane Glines) collects three pretty mindlessly entertaining Batman story arcs starring villainesses Harley Quinn and Poison Ivy, all based on episodes from Batman the animated series, though kicked up with darker touches and sexual innuendo. In “The Bet,” Harley makes a bet that Ivy can’t win a kiss from every man in Arkham Asylum, only to have the bet backfire on her when her main man, the Joker, joins the list of kiss-ees. In “Love on the Lam” (which was so unmemorable that I couldn’t even remember it without a little boost from Amazon), Harley once again attempts to get back into the Joker’s good graces by pulling off a heist of her own, enlisting Ivy’s help to do so. In “Harley and Ivy,” the gals pack off to South America in order to recover a specimen of a rare zombie root central to Ivy’s newest plan for world domination. From there, they make their way to Hollywood, where they begin filming a big-budget, diamond-studded movie glorifying their own escapades. Catfights, shower scenes, and gay lumberjack encounters ensue.

Overall, very silly and rife with absolutely shameless fanservice. The stories themselves are hardly memorable and simply retread Harley and Ivy’s well-established character dynamics (bubbly and annoying vs. sultry and sarcastic), but the fluid, expressive art, either by Timms himself or styled after his work on the series, and madcap humor make for a fun, quick read. If you’re a Harley/Ivy fan (as both Kakaner and I are), this is worth a look, so long as you’re not expecting masterful storytelling or anything. This is one of those books that makes you laugh so hard your brain hurts, with you feeling slightly the worse for it afterwards.

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Paul Dini
Bruce Timms

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