surrealism

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Reviewer: Kakaner

Date read: 1.26.2017

Book from: Personal collection, recommended by Marbiru (thanks!)

Weaving back in forth in time, moving from character to character, the author tells the story of Indonesia from its Dutch colonial days, through the Japanese occupation during World War II, and into independence as a modern state. Kurniawan’s characters are broadly drawn, but they aren’t one-dimensional. Dewi Ayu, the most sought-after prostitute in the seaside city of Halimunda, is a shrewd, fearless, and resourceful woman but an ambivalent mother. Her lover, Maman Gendeng, is a romantic thug. The soldier Sodancho is both an illustrious revolutionary and a self-serving racketeer; he’s also a rapist. 

Reading this novel was like eating ice cream, or cake, or your favorite food, and just shoveling every bite in before you finished chewing (much less swallowing) your last bite. Every sentence, every paragraph, every story swelled and crescendoed and flowered and blossomed it seemed until impossible infinity. Just a rich luscious reading experience overall.

Maybe it’s obvious from the title and blurb, but the motifs are women drawing power from their physical beauty and wiles and men drawing power from brute force and violence. The novel is composed of intertwining stories featuring a constant interplay of beauty vs strength, one force always trying to subdue the other and the actors being driven mad trying to achieve dominance. It’s a cautionary and desperate tale of the futility of drawing upon beauty for true strength, especially if for ill-intentioned ends, and that the lust for and reliance on beauty ultimately devastates. At the same time, so many of the characters are unable to comprehend why anyone would love an ugly being, and that confusion and cognitive dissonance becomes a fixation towards the end. Even though this sounds heavy handedly black and white, it works because it is commentary that is delivered in this unabashedly absurd and dreamlike way.

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