Date Read: 5.27.09
Book From: Personal collection
McKinley’s first published novel is actually one of the last of hers that I read, when in high school I belatedly rediscovered her books and went on a rampage through nearly all of her work – when much younger, I had tried and failed to get through The Outcasts of Sherwood, and hadn’t gone back since. (Actually, I’m currently still not up-to-date on her newest two novels, Dragonhaven and Chalice.) From what I’ve seen, Beauty might also be the most widely beloved of her work, in competition largely with the Damar books (The Blue Sword and The Hero and the Crown).
I remember that my working backwards to Beauty actually had an adverse effect on my opinion of it at first read – her later books tend towards much weightier plotlines and intricate, metaphorical language, so that I found Beauty simplistic by comparison. On re-reading it, I found that simplicity to be a great part of its charm. McKinley’s later books can perhaps be overburdened by axe-grinding (Deerskin), lengthy protagonist hand-wringing (Sunshine, which I passionately love nonetheless), and other excesses. (On reading Rose Daughter, McKinley’s second retelling of Beauty and the Beast, one of my roommates frankly remarked that McKinley “could use an editor.”)
By contrast, Beauty is fresh and openhearted, and although the prose may not be as elegant as that in McKinley’s mature works, her descriptions are exuberant and generously enchanting. Beauty, whose nickname here is ironic, is immediately recognizable as the archetype of McKinley’s heroines: likably bookish, plain, and straight-spoken, these anti-damsels may now litter the YA fantasy landscape, but McKinley’s are some of the first and definitely still some of the best. Beauty’s voice is funny and thoughtful, and being an inveterate lover of books, horses, and gardening myself, it’s pretty hard not to identify with her.
Continue reading Beauty, by Robin McKinley (1978) E
Date Read: 6.3.09
Book From: Library
A prequel to the first Dresden Files novel, “Welcome to the Jungle” is the first graphic novel addition to the series – a full adaptation of the first novel (Storm Front) is to come, apparently. The four-issue comic’s plot is boilerplate Dresden Files: a gruesome murder, this time at the zoo, has Lt. Karrin Murphy of Chicago PD’s Special Investigations calling in Harry Dresden, the only professional wizard in the phonebook. Harry has 24 hours to uncover the killer, and, of course, has no idea where to start. In the meantime, the murder has been pinned on one of the zoo’s prized (and innocent) gorillas, lending extra urgency to Harry’s search for the real culprit.
Unsurprisingly, the Dresden Files, with their spectacular action scenes, car chases, and colorful magical rituals, translate perfectly to comic-book form, with quick panels here capably taking the place of the lengthy descriptions required in the book. Indeed, Butcher explains in his introduction that his storytelling is strongly influenced by the multitude of comics that he read when young (something that I definitely sympathize with).
Continue reading Welcome to the Jungle, by Jim Butcher & Ardian Syaf (2008) E
Date Read: 3.31.09
Book From: Personal Collection
Warm Bodies is the tale of a zombie in a society of zombies. R (he can’t remember the rest of his name), originally the entirely nameless protagonist of Marion’s beautiful “I Am a Zombie Filled With Love,” here has his story extended: during a raid on a human encampment, he inexplicably makes the decision to shelter a living human girl, so that they make their way together in a stagnating world.
I would primarily describe this novel as cinematic, both in good and bad ways. Good because so many of the scenes are uniquely vivid and striking and just beg to be visualized – zombies swaying back and forth in “church;” R riding an airport’s moving walkway and coming to a stop just opposite his soon-to-be zombie wife; the Stadium that is the center of life for a surviving human community. Bad because most of the plot and execution is cheesy as hell.
This really just needs to be stripped down and rewritten, or at least have a stronger editing hand. It’s not just some of the questionable language (“the sun stood over us like a royal guardian,” “my mystique has thickened and intensified like balsamic reduction”), it’s the overall plot concept. A rebellious, artsy-bohemian girl who Changes Everything by having the protagonist fall in love with her? [SPOILERS FOLLOW; HIGHLIGHT TO SEE] Humans literally being so soulless that they turn into zombies? Please. Pleeeeeease.
The original short story was charming and likable because it was quirky, lovely, and unexpected – this beats all of its loveliness and unexpectedness into a sticky, saccharine pulp. I read most of this with a sort of mild curiosity as a result, rather than real interest, despite the many excellent individual concepts. Still, I love Marion’s work in general, and am extremely excited to see his career take off, so I’m very happy to own one of the few copies (I think about 220 were printed in the end) that he designed and self-published. Signed, too!
Warm Bodies (2009) [K]
Some words (and exploding high-fives) with Isaac Marion