Date read: 1.26.10
Book from: Borrowed from Kakaner
“The city of Ember was made for us long ago by the Builders. It is the only light in the dark world. Beyond Ember, the darkness goes on forever in all directions.”
At the age of twelve, every child in Ember is assigned a job. Curious, bright-spirited Lina Mayfleet longs to be a messenger, but is instead assigned to dreary, dirty work in the underground Pipeworks. Doon Harrow, her classmate, is convinced that the sporadic blackouts of the great lamps of Ember – the only lights in a world of immeasurable darkness – forebode worse troubles for the city. He longs to investigate the enormous generator in the Pipeworks that provides the city with all of its power, so when he receives the job of messenger, he and Lina eagerly swap their assignments. As the blackouts increase in frequency and fear spreads among Ember’s citizens, Lina soon comes to share Doon’s suspicions that Ember is a dying city. Together the two embark on a search to uncover Ember’s origins, and to find a way to lead their people to the bright city that Lina is sure exists somewhere in the Unknown Regions beyond Ember.
I didn’t enjoy The City of Ember nearly as much as I thought I would, for all that it’s a rather endearing book. The characters and setting are warmly evoked, with detailed and frequently beautiful descriptions, and of course the concept is fantastic to begin with – Ember is one of those fictional realms you wish you could visit, and more often than not end up carrying around with you in your head after reading. (I imagined it looking like a less anarchic version of the city in the film La Cité des Enfants Perdus/The City of Lost Children, and would pay a large amount of imaginary money to run along its streets and peer into its shops.)
Unfortunately, the plot was sufficiently predictable for me to lose interest in following it about halfway through, and the narration often tends towards the thuddingly declarative, particularly during the action sequences. Granted, I’m sure the plot wouldn’t have been predictable had I been, say, 9, which is of course the primary intended audience. Still, I was tempted to give up on it several times, only for my interest to be renewed by the particularly lovely and joyous descriptions towards the end of the novel.
Lina and Doon are likable enough as protagonists, and their extreme naïveté, though frustrating, at least makes sense given the society they live in. I did find Lina’s goody-goodiness wearing at times, however, and followed Doon’s sections of the narrative with more interest.
There are a number of poorly conceived plot points made for the sake of convenience or symbolism or general narrative pretty, but I kind of slung them all in the “eh, slightly contrived and not entirely thought-out YA” bucket and tried to ignore it. Overall – points for concept, half-points for execution, and put this under the list of books I really, really wish I had read when I was younger.
Spoilerish remark for those who’ve already read it, highlight to see: Shades of The Giver, much? So much similarity in narrative structure and plot points, but I guess the premises are so close to begin with that it’s inevitable. It didn’t particularly bother me, anyway; it’s clear that the overlap was unintentional.