Slam, by Nick Hornby (2008) K

Date Read: 6.14.09
Book From: Personal Collection
Reviewer: Kakaner

Summary

Well. Sam is a normal teenager obsessed with skateboarding and sports crushes here and there. He gets his girlfriend pregnant, and suddenly, he has a world of responsibility and decisions to face.

Review

Overall it was meh. Straight off I’m going to say I don’t think Hornby should be a YA writer. I felt like it was very clear he was an adult fiction author writing a YA novel. It didn’t feel effortless and simple like I think YA books should feel– it was almost as if he wrote the book as an adult novel, then went through and edited down each sentence, but in the end, you could still feel the weight of words meant for an older genre underlying the novel. That is not to say the writing is bad (*quite* the contrary), but it wasn’t quite natural.

I think the main thing I want to talk about is Tony Hawk. So Sam is well…. obsessed with skateboarding and Tony Hawk. And guess what? Tony Hawk is Sam’s imaginary friend! During about half the book, Sam talks to the Tony Hawk in his head, asking him life questions and advice for decisions, and “Tony Hawk” responds. Sam formulates these responses for himself based on what he knows of Tony Hawk from his autobiography. And I have to say, it is a rather cheesy concept and very apparently something that screamed “I AM A CHARACTERISTIC YA PLOT ELEMENT! I PROVIDE A ROLE MODEL AND SOURCE OF COMFORT FOR THE MAIN CHARACTER.” And of course, there’s the obligatory “run away from home because you feel overwhelmed and need to find yourself” chapter.

I think all my gripes stem from the fact that Sam is simply an uninteresting main character. He has no quirks, he’s a typical American teenage skater, and I am simply not sympathetic to his plight. He is boring as boring gets. And maybe that is supposed to be the appeal of Sam, that he’s Sam Everyboy, but there is definitely a way to pull that off and Hornby did not do it.

I guess I just wasn’t swept up by many elements which I’m sure others found mature and insightful– the premise of teenage pregnancy and the admittedly realistic ending. Even though I ripped it apart, it’s still a decent book, solidly constructed, though not memorable.

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Nick Hornby

Pompeii, by Robert Harris (2003) E

Date read: 1.22.06
Read from: Public library
Reviewer: Emera

Attilius, newly appointed aquarius (engineer) to the great aqueduct Augusta after the disappearance of the previous aquarius, is charged by the scholar and general Pliny to repair the disrupted aqueduct. With the water supplies of nine cities at risk, Attilius travels to the corrupt and vice-filled Pompeii to investigate the mysterious break, near Mount Vesuvius. As he travels, he finds that the damaged aqueduct and missing aquarius are only two of many strange omens – sulfur contamination, strange smoke, earthquakes, and inexplicable sounds like those of “walking giants,” all issuing from Mount Vesuvius.

Pompeii was very well-written and full of fascinating historical detail, but it simply failed to hold my interest as a novel. I pin this on a lack of interest in the characters, who seemed like afterthoughts of the historical research: realistic in their various roles of Roman citizenry, but psychologically uninteresting. The heroine, for example, was a rather generic  “No, father, I shall not marry without love!” type. The atmosphere is satisfyingly gritty and ominous, however, and gathers strength as the book continues, culminating in a fantastically powerful description of the volcano’s final eruption.

All in all, Pompeii is a readable, carefully researched record of the last days of Pompeii, but lacks in character development and emotional involvement.

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Robert Harris

Affinity, by Sarah Waters (1999) K

Date Read: 12.26.07
Book From: Personal Collection
Reviewer: Kakaner

Summary

Margaret Prior becomes a “Lady Visitor” at the Millbank prison. There, she takes in the prison experience, from the food to the garb to the treatment of the prisoners and takes steps to befriend and be a source of comfort for many of the inmates. As her visits progress, she finds herself drawn to one girl in particular, a spirit medium Selina Dawes, convicted of spiritualistic fraud and assault. Soon, between her own declining health and the nature of her friendship with Selina, Margaret finds herself hopelessly committed to the Millbank prison and tangled up with mysterious spirits.

Review

Well, I don’t really know how to approach this review. I could either review it superficially and not give away the story, or try to convey everything I want to and ruin everything by implication. I’ll… just… charge ahead as best I can and see where it takes me.

Overall Affinity was a much easier read than either Tipping the Velvet or Fingersmith because it was so linear and set in one place– the prison and Margaret’s house were the only settings and the prison was the only plot. As a result, the circumstances definitely called for a slow, steadily snowballing story.

Continue reading Affinity, by Sarah Waters (1999) K

Lullaby, by Chuck Palahniuk (2002) K

Date Read: 7.05.06
Book From: Borrowed from Kathy
Reviewer: Kakaner

Summary

A culling song is a song Africans used to sing to people about to die to ease the suffering of passing. However, one particular culling song is able to kill instantly upon being heard. A reporter investigating infant deaths discovers that by each infant’s death crib is a poem book opened to a culling song on page 27. He takes it upon himself to rid the evil and is determined to destroy all copies of the book.

Review

Lullaby has terribly interesting origins. Apparently,  Palahniuk’s father, Fred Palahniuk, and his girlfriend had been murdered by a man named Dale Shackleford in 1999. Palahniuk was asked to be part of the capital punishment decision, and this prompted him to start working on Lullaby, a novel very much centered on death. Shackleford was ultimately sentenced to death, and Palahniuk was said to have struggled very much with the decision.

Initially, I was incredibly excited to read this based on the summary. I mean, doesn’t it just sound so hauntingly dark and magical? And with an amazing horror premise to boot? The exposition was gripping, intense, and extremely interesting, but of course, weird. Lullaby is written in the signature Palahniuk prose– hard, gritty, a stop-and-go that is slightly nauseating. But as the book progressed, I grew more and more disappointed as the story of the book simply did not call for this type of prose. The story was still there, but it seemed so scattered halfway in.

Instead of experiencing horrible sucking immersion, I ended up plodding along noncommittally.  I think Lullaby definitely needed dark and lyrical prose to intensify the entire premise of the culling song. I feel like since Palahniuk’s writing is so abstract, it is much more appropriate for schizoid general ideas like in Fight Club rather than a concentrated linear storyline. Ultimately, the story fell apart for me and the ending was a huge letdown.

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Read More (Wiki article)
Chuck Palahniuk

The Shape-Changer’s Wife, by Sharon Shinn (1995) E

Date read: 1.6.06
Read from: Public library
Reviewer: Emera

Always hungry for new knowledge, the magician Aubrey leaves his master to become the apprentice of the famed and reclusive shape-changer Glyrenden. Surrounded by a forest in Glyrenden’s decaying mansion, with only two eccentric servants for company, Aubrey becomes increasingly mesmerized by Glyrenden’s aloof and otherworldly wife, Lilith.

I read The Shape-Changer’s Wife at about the time that I began to be bored with standard fantasy, as evidenced by the fact that when I got it out of the library, I lost interest as soon as I looked at the cover. I read it anyway, just because it was relatively short and I liked the title, but overall it got a big shrug from me. I think it’s a combination of the aforementioned boredom, the book being Sharon Shinn’s first, and the fact that her prose is generally very… unassuming, as I’ve gathered from the others of her books that I’ve read (namely, the Samaria series, which I must admit to having enjoyed a good deal nonetheless). Granted, I prefer reliable writing over poorly attempted style, but Shinn’s writing is so straightforward and so devoid of stylistic interest that it leaves no impression on me afterwards. Add in the fact that I guessed Lilith’s “secret” 20 or so pages in, and a few annoying clichés and illogicalities, and there wasn’t much to be read. Still some nice details and scenes, but not enough to make this a memorable novel.

On a separate note, the [Profession/Status/etc.]’s [Wife/Sister/Daughter] titling convention/cliché has been amusingly documented by Isaac Marion here.

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Sharon Shinn
Archangel, by Sharon Shinn (1997) [E]
The Alleluia Files, by Sharon Shinn (1999) [E]

The Alchemist, by Paulo Coelho (1988) E

Date read: 1.24.06
Read from: Public library
Reviewer: Emera

A young shepherd boy in Andalusia dreams of finding treasure among the Great Pyramids, and, determined to follow his dream, makes his way towards Egypt. As he travels, he encounters (among others) a gypsy, a king, a thief, an Englishman, and finally, an alchemist, each of whom aids him in his journey towards understanding of his “Personal Legend—” the dream that, in being accomplished, helps to nourish the universe itself.

As I put it when I originally reviewed this book: this is a very, very sweet book. Normally I hesitate to read “inspirational” books, and I did occasionally find it difficult to take The Alchemist seriously, particularly because the author kept on repeating several “key phrases” throughout the book, such that they eventually took on the feeling of spiritual buzzwords.

However, The Alchemist is so peaceful and simply told, with its spare, folkloric language, that it’s a pleasure to read by itself – it leaves you with a comforting afterglow, so to speak. To my surprise, I also found myself liking the nameless main character a good deal in the end, despite the story largely being allegorical, and the characters hence representative rather than specific. I can see why this is such a popular book, and has become a chief inspiration to a number of my acquaintances, including the friend who encouraged me to read it to begin with. It’s very gently encouraging, and espouses a luminously optimistic view of the universe and the place of individual humans within it. This would be useful to those who might feel they’ve been faltering in following their passions, I think.

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Paulo Coelho

King Rat, by China Miéville (1998) E

Date read: 10.10.08
Read from: Personal collection
Reviewer: Emera

The day after stumbling drunk into his father’s flat, Saul Garamond wakes to find that he is the chief suspect in his father’s killing – which occurred as he slept one room over. Sprung from jail by a raggedly pompous, sinuously sinister figure who calls himself King Rat and claims that Saul’s mother was herself a rat, Saul uncovers the truth of his father’s death, and of his strange heritage in the sewers of London.

So this was an “eh” sort of read. Very Miéville (twisty, dark, and Urban with a capitual u, and an umlaut for good measure), and  good for a first novel, but still obviously a first novel – it’s clear why he didn’t make it big until Perdido Street Station. I found the book intriguing, but not compelling: I was convinced of its mythology and milieu, but not terribly interested, and it simply didn’t have the heft and engrossing sense of reality that the Bas-Lag books do. Add in a general sketchiness as far as character development goes, and the result was that that I imagined Miéville sitting down one day and telling himself that he wanted to write a novel about the Pied Piper legend…. WITH DRUM ‘N’ BASS. And of course a good helping of Socialism. So: too many pet elements without enough connective tissue for them to hang together comfortably. I did like the ambiguity of the King Rat character, though, and found him a memorable figure.

For the record, those interested in other Pied Piper retellings might try looking up Terry Pratchett’s The Amazing Maurice and His Educated Rodents and the first story, “Paid Piper,” in Tanith Lee’s collection Red as Blood. The former is very polished and amusing, and the latter is very weird. There’s also a not-so-great one with a silly twist ending in Ellen Datlow & Terri Windling’s Snow White, Blood Red (from their retold fairy tale anthology series), whose not-so-greatness is manifest in the fact that I can’t remember the author, although the title was something along the lines of “A Sound, As of Angels.” Hmm.

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China Miéville
Looking for Jake (2005) K
The City & The City (2009) K

Ender in Exile, by Orson Scott Card (2008) K

Date Read: 12.28.08
Book From: BNN Piracy now Personal Collection
Reviewer: Kakaner

After Emera posted her Shadow Puppets review, I was inspired to dig this up, so here it is.

Summary

After the Bugger Wars, Ender is caught in social crossfire and a political tug-of-war on Earth; as a result, he ultimately decides to embark on a deep space colonization journey with his sister Valentine. Through the eyes of other colonials, Ender’s Battle School acquaintances and mentors, and Ender himself, we learn of Ender’s journey to becoming Speaker for the Dead. Along the way he encounters many of his old Battle School jeesh and finds himself once again involved in and responsible for their actions.

Review

This will be a rather spotty review– at the time I read Ender in Exile, I simply wrote down different aspects or parts that really jumped out at me or about which I had something to say. And since that is what I have to work with, that is what you’ll get.

I picked this up (like I suspect most others did) after having been away from the Ender universe for years. So many things were disconcerting yet familiar… such as the ever-present discrepancy between the age and maturity of characters. For example, whenever Card reminded us that Ender was 12, I would do a huge double-take. Same with Valentine. And Virlomi. And basically all other world/nation leaders. When I read Ender’s Game as a child, I thought the concept was brilliant, and really admired Ender and his jeesh for being so ahead of their time and age. However, the more I read into the Ender universe the more I wonder if it’s possibly Card‘s inability, disregard, or lack of willingness to embrace the YA characters and genre.

Continue reading Ender in Exile, by Orson Scott Card (2008) K

Shadow Puppets, by Orson Scott Card (2002) E

Date read: 8.22.09 (re-read; originally read in about 2004 or 2005)
Read from: Borrowed from Kakaner
Reviewer: Emera

N.B. This review is probably not very accessible to anyone who hasn’t read any of the Shadow Saga sequels to Ender’s Game, as this comes nearly at the tail end of the series. If you haven’t read any of the series, you may also wish to not read this review for fear of spoilers.

Some poor decision-making on the part of Peter Wiggin, adolescent Hegemon extraordinaire, leaves the fledgling Hegemony and its resources in the hands of Achilles. Though nominally disgraced in the eyes of the world after the revelation of his international-scale treachery, Achilles is as dangerous as ever. His new power puts him in position to re-enter the game of political manipulation, and sends Bean and Petra – his most hated enemies – into hiding. Meanwhile, the other members of Ender’s Jeesh continue to jockey for the precedence of their respective countries, while themselves often ignored or manipulated by their own governments. In short, the world is paying the price for having nursed a generation of young Napoleons, and Bean and Petra find themselves at the center of events, just when they have come to realize that what they value most is simply each other’s happiness.

My main impression of this was: bridge novel. It’s so obviously written as the sort of mid-series book that has to begin at one place, and get to another, such that while I was fairly engaged when reading, I kept on losing interest in following it as a whole. Overall I’ve become slightly disenchanted with Orson Scott Card, both on the basis that I find many of his political and personal opinions repugnant and on the basis that… frankly, I don’t think he’s a genius as much as I used to anymore. I’ve been re-reading the Shadow series because the final book hadn’t yet been published when I first ran through the series, so I’ve had to catch up again. A lot has changed in how I read in these past few years, so while Ender’s Game is still next to sacred in my canon and thus I don’t let myself nitpick it, it’s easier now to see the flaws in the rest of his books.

Continue reading Shadow Puppets, by Orson Scott Card (2002) E

The Time Traveler’s Wife, by Audrey Niffenegger (2003) E

Date read: 8.27.09
Read from: Personal collection
Reviewer: Emera

Henry DeTamble travels, involuntarily, in time; Clare Abshire is the woman who has loved him since she was 6 years old, and he, displaced in time – but in his own timeline already married to her – introduces himself to her in a meadow. The Time Traveler’s Wife charts the the convoluted course of their love, and all the hazards, vagaries, joy, and anguish that Henry’s strange condition brings into their lives.

Kakaner has been begging me to read this for years. This August I finally gave her the satisfaction of receiving a barrage of emails from me exclaiming over the book as I plowed through it in a handful of days. I was absolutely sucked in, and despite her warning that she’d found the first 100 pages of the book slow going, the first half-ish of the book was actually my favorite. I loved the slow back-and-forth as Clare works her way through life to her first meeting with in-time Henry – I found the scenes of her childhood and young adulthood (and the interspersed glimpses of Henry’s childhood and his first, innocently bedazzled experiences of time travel) beautiful and singularly lush, and I loved feeling so connected with Clare as a character, so immersed in her experience of growing up, and feeling as intensely as she does the anxiety and excitement of each impending encounter with Henry. (Sucker for young love, right here.)

Continue reading The Time Traveler’s Wife, by Audrey Niffenegger (2003) E