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Note: I’m super lazy and haven’t actually read Atwood’s post yet.
While I’m (fairly obviously) a huge physical book supporter, I don’t personally feel that threatened by the e-book phenomenon. I guess I feel like a) the prohibitive cost of e-book readers will dampen enthusiasm (if I’m going to spend $200 on a book, I’ll buy a first edition or something), b) there are too many people out there who aren’t willing to give up the physical reading experience, and c) well, I don’t actually have a c.
I am somewhat worried that the industries (publishing and selling) will over-react and try to go all digital, to keep up with the perceived market. But again, I do think that the people who crave the feeling of pages and spines, and favorite (sometimes awful) cover art represent a more sizable population that we might realize, and that sooner or later the industries will realize that.
Or maybe I’m being overly optimistic. Eh. Anyway, my brother jokingly said he’d buy me a Kindle for Christmas and I told him, “Fine. I’ll resell it and use the money to buy BOOKS!” I kind of wish he had bought me one now.
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Oh, I knew there was another thought I was forgetting.
For me, when I walk into someone else’s home, I generally make a bee-line for the bookshelves (while trying not to be too obvious and rude about it). They tell me something about the person–their interests, their reading habits, the way they treat their books. You can’t do that with e-books, because half of finding those things out has to do with how worn the covers are, how the books are stored and displayed and organized.
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I’ll admit to becoming less and less attached to print books- pdf textbooks are cheaper and easier* and walking just over a mile to pick up heavy amazon book packages is a bit of a pain. I’m lazy and I don’t care how I get my books so long as it’s cheap and convenient.
I’m less of a “word” purist and more of a picture purist- I’ll read 400 page .pdfs on my monitor, but art-books must be enjoyed in print. Although art books aren’t the best example. Coffee-table books are collectibles, rather than consumables.On the subject of the Publishing industry, with the “rise” in ebooks, and ebook piracy. I’m wondering what the college text-book industry will do. Their only sure-fire way to keep the market stranglehold is to keep the printed books.
* albeit 90% of the time illegally obtained.
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Emera, yes I’m now with you. Less alarmist and more scary! Also the clarification that she’s not just bashing e-books indiscriminately is a good one. And yes, that solar flare article is really freaky!
As an aside, I kind of wanted to smack the “idiot” commenter. It’s true that Kindle screens are supposed to be better on your eyes, but there are some people (like myself) for whom that technology just doesn’t work.
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I’m doing my dissertation on digital fiction, so I have a feeling e-books will come up, at least as an aside.
[puts on grad student hat]
I’m skeptical of the whole e-book hysteria going around; it’s understandable, but I don’t think it’s founded on anything but fear (NB: I haven’t read the Atwood article either, being super lazy myself!) The codex (ie what we think of as print books) and e-readers are competing technologies, true. But as far as I can see the e-readers’ main advantages over print are 1) storage capability and 2) affordability. I think they’ll replace text books (especially science ones, that have to be updated all the time), simply because it’s more economical and efficient. But I don’t think they’ll replace the print codex mainly for the reasons you all have already pointed out: they’re not durable, and their storage advantage is undermined by the instability of digital formats, not to mention the major privacy/copyright issues that come up (as I understand it, at the moment you don’t really “own” any ebook you purchase the same way you do a print book—you simply lease the right to access it for a period of time).[doffs grad student hat]
I just wish everyone would take a deep breath! It’s too soon to make any predictions or moral arguments. It’s not like film and TV replaced the theater, after all—they complement it. I think it’ll be much the same with e-readers.
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Emera—I’m definitely going to try to find a way to work it in! Essentially my diss is about looking at the effect that digital technology has on narrative: are works created using digital tech inherently different from traditional writing? Or is it just a different format, like hardback vs. paperback? If we can answer those questions, I think we’ll have a better idea of how e-books might impact the publishing world and literary culture.
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It’s more about whether the potential for interactivity (hypertext, flash animation, game-like structures, etc) changes the nature of the narrative itself—-is digital fiction just books on computer, or a different beast altogether? So, a little of both, I guess—I haven’t started writing yet! I have no idea where it’s going to end up, so it’s going to be fun seeing what happens with this diss. It’ll mostly involve using lots of post-modern theory like Barthes, etc. I’m thinking I might look at The Girl Who… as an example of digital fiction that uses digital tech to enhance a traditional narrative, and contrast it with some of the more experimental stuff out there.

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