contemporary fiction

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Date read: 2.20.09
Book from: Borrowed from Kakaner
Reviewer: Emera

Neil Gaiman - Violent Cases

In Violent Cases, an adult narrator evokes a confused patchwork of childhood memories, from his uneasy relationship with his father to the half-comprehended gangster stories of an osteopath who claims to have treated Al Capone.

Neil Gaiman and Dave McKean’s first collaboration? Too cool! McKean’s art can be hit-or-miss for me, but here, I loved it. It has a scratchy, sketchy, flickering quality, like a very old slide show being flicked by, or an old film, and the black inkwork is just barely shaded with beautiful shades of sepia and ghostly blue. Add in the splintering, tilting panels and the narrator’s suggestively spare commentary, and you have an incredibly evocative, ominous story about the insidiousness of violence – physical violence, imagined violence, the violence we do to ourselves in letting ourselves forget the ways in which we were hurt and damaged – and the ways that memories reach out to one another inside of our heads, and make strange but right connections.

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Date read: 11.17.07

Book from: Borrowed from Stephane

Reviewer: Kakaner

Summary

Lucy is 19 when she comes to America from the West Indies to be an au pair and escape her restrictive life. Her employers are the picture-perfect family– the parents are in love, they are rich, and they have perfect children. However, Lucy soon discovers that they are not what they seem, and all the while, she searches for her own niche in society as she transitions into adulthood.

Review

This novel was perfectly delectable in so many aspects, from writing to character development to story. Lucy as a whole relies on atmosphere and instead of action to propel the story, and it is a sort of eerily muffling yet discovering atmosphere. For every experience in America, Lucy would recall either a relevant or triggered memory from her time in the Indies. This juggling of worlds created delicious tension between old and new, responsibility and free will. The tensions between Lucy and the family members, particularly the wife, were so strange that sometimes I would stop and look at the cover of the book to reorient myself and remind myself that yes, I really was reading this seemingly innocent, slim novel with an artwork of a teenage girl on the cover.

Lucy herself is an incredibly atypical heroine. She has an objective and extremely cynical outlook on life, and you only slowly learn about why this is through her past. The expert sustaining of Lucy’s character and narration, as well as the delicate yet exposing portrayal of sexism and racism, are certainly testaments to Kincaid’s literary skills. I was incredibly lured by this book as soon as I started, and could not put it down until the end– Lucy’s story is real, tangible, and heart rending without resorting to dramatics. Kincaid’s autobiographical foundations are definitely visible in this novel which probably are what make Lucy such an honest and touching novel.

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Jamaica Kincaid

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Date read: 7.29.09

Book from: Borrowed from Kakaner

Reviewer: Emera

Requiem for a Dream, although probably better known to most through Darren Aronofsky’s 2000 film, is one of the most acclaimed novels about addiction. It charts a few, terrible months in the lives of a small circle of friends and family in New York in the 1970’s, all of whom are led into addiction by their own hopes for fulfillment and wholeness.  Harry Goldfarb, his friend Tyrone C. Love, and his intelligent, artistic girlfriend Marion dream of making it big by selling heroin, only to become paralyzed by apathy, self-loathing, and dependence on the drugs that once seemed to be their ticket to success. Meanwhile, Harry’s lonely, widowed mother Sara comforts herself with chocolate and endless television. When a chance phone call seems to promise her an appearance on one of her beloved television shows, she becomes reinvigorated by the conviction that she must lose weight, precipitating an obsessive cycle of dependence on diet pills.

Requiem for a Dream is one of the most grueling, brutal films I’ve seen, and for this reason I found myself reluctant to break into the novel. Once you begin, however, you feel a sense of commitment to the characters, an obligation to hear their stories out and follow them to the end, despite the sense of doom that pervades the novel from the very beginning. Read the rest of this entry »

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